Houchang Allahyari

An unusual love story between a farmer from a small village and a 25-year-old recently released prisoner from Vienna. First he wins the acceptance and sympathy of the villagers before his past catches up with him.

Story about a young pianist accused of murdering his teacher who slowly comes to believe the accusation due to guilt feelings, ultimately retreating into a fantasy world.

20-year-old Rocco (Morteza Tavakoli) wants to strike out on his own and break out of his family’s rigid life. Through the friendship of Max (Ronald Rudoll) and Leila (Anna Franziska Srna), who are working on opening a bar, Roccco’s dream of a “normal life” becomes a possibility. But Rocco is equally drawn to the cool appearance of criminal Bobo (Ronald Hein. By the time Rocco realizes what is behind Bobo’s friendly exterior however, his life has already spun out of control.

As a young stranger enters the life of a rich but emotionally paralyzed family, everything changes.

It all begins with a mistake, an error with serious consequences: in a hospital the new-born babies of an Austrian couple and a Turkish family of immigrant workers are mixed up and go home with the wrong parents. By the time the mistake comes to light, it emerges that the Turkish family, including the baby, has been deported. The despairing Austrian couple begins a confusing odyssey through Turkey in order to track down the unsuspecting family to their native village. But they are not at all convinced that the babies have been mixed up. It is decided that the only way to know for sure is to have a blood test done. It is decided that the blood work is done in Vienna due to the better medical resources, but that will be far from simple. It will involve an illegal smuggling of the Turks across the Austrian border.

The film tells the story of three young men who land in an Austrian prison for various reasons. They have been sentenced for minor misdemeanors and are confronted by the prisons merciless subculture.

Psychoanalytic study of the artist and social critic, Pier Paolo Pasolini.

An encounter between a young musician and a mysterious young woman who “works” as a scarecrow to “silence the birds,” and likes to spend time at the Armenian cemetery to talk with the dead.