Kurt Kasznar

Acting

Kurt Kasznar

Born August 13, 1913 · Wien, Austria

Died August 6, 1979 · aged 65

Kurt Kasznar (August 12, 1913 – August 6, 1979) was a stage, film, and television actor.Kasznar's first major Broadway appearance was in The Happy Time. (He recreated his role for the film version and earned a Golden Globe nomination for his performance.) He also appeared on Broadway in Barefoot in the Park, Waiting for Godot, Six Characters in Search of an Author, and The Sound of Music, for whic…

Known For

Casino RoyaleCasino Royale · 1967
Casino Royale
5.21967
MovieAdventureAction
Sir James Bond is called back out of retirement to stop SMERSH. In order to trick SMERSH, James thinks up the ultimate plan - that every agent will be named 'James Bond'. One of the Bonds, whose real name is Evelyn Tremble is sent to take on Le Chiffre in a game of baccarat, but all the Bonds get more than they can handle.
55 Days at Peking55 Days at Peking · 1963
55 Days at Peking
6.91963
MovieHistoryWar
Diplomats, soldiers and other representatives of a dozen nations fend off the siege of the International Compound in Peking during the 1900 Boxer Rebellion. The disparate interests unite for survival despite competing factions, overwhelming odds, delayed relief and tacit support of the Boxers by the Empress of China and her generals.
The Last Time I Saw ParisThe Last Time I Saw Paris · 1954
The Last Time I Saw Paris
6.11954
MovieDramaRomance
Reporter Charles Wills, in Paris to cover the end of World War II, falls for the beautiful Helen Ellswirth following a brief flirtation with her sister, Marion. After he and Helen marry, Charles pursues his novelistic ambition while supporting his new bride with a deadening job at a newspaper wire service. But when an old investment suddenly makes the family wealthy, their marriage begins to unravel — until a sudden tragedy changes everything.
A Farewell to ArmsA Farewell to Arms · 1957
A Farewell to Arms
6.01957
MovieDramaRomance
An English nurse and an American soldier on the Italian front during World War I fall in love, but the horrors surrounding them test their romance to the limit.
Kiss Me KateKiss Me Kate · 1953
Kiss Me Kate
6.51953
MovieMusicComedy
A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.
LiliLili · 1953
Lili
6.81953
MovieRomanceDrama
Members of a circus troupe "adopt" Lili Daurier when she finds herself stranded in a strange town. The magician who first comes to her rescue already has romantic entanglements and thinks of her as a little girl. Who can she turn to but the puppets, singing to them her troubles, forgetting that there are puppeteers? A crowd gathers around Lili as she sings. The circus has a new act. She now has a job. Will she get her heart's desire?
The AmbushersThe Ambushers · 1967
The Ambushers
5.11967
MovieActionComedy
When an experimental flying saucer crashes, secret agent Matt Helm has to bring back the secret weapons hidden on board.
The JourneyThe Journey · 1959
The Journey
6.31959
MovieDramaRomance
A Communist officer falls hard for a married woman trying to escape from Hungary.

Filmography

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Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.