Rassem Eljomaily

Fuad, a successful merchant, lives a happy life with his wife until suspicion grows after a friend tries to seduce her. Consumed by doubt, he divorces her and moves to Basra, but his life unravels due to alcoholism and failure. He eventually leaves for India seeking a fresh start, while his ex-wife faces harsh struggles that drive her to attempt revenge against the man who ruined her life.

(Badi’a) is a woman who disagrees with her husband (Fawzi) because there is another woman in his life. She is a fifty-year-old woman who approaches life with some caution and vigilance. She works in excavations for antiquities, but it seems that digging in search of treasures is not matched by a similar success in digging in the depths of her husband. .

Tahit Moos Al-Hallaq

The film presents, in a comedic manner, how to execute a dramatic film featuring a love story between a young man and a young woman. It depicts the execution of comedic scenes by shooting at the lover, as well as the selection of a cart and horse by the carriage driver Alwan. Alwan becomes annoyed during filming by the romantic expressions between the lovers, believing them to be real, which causes disruptions in the film's production.

Two remarkably similar twins, one of whom is a famous soccer player, and the other is a waiter in a restaurant, find themselves in various troubles, coincidences, and amusing comedic situations.

A border village during the Iran-Iraq war experiences the evils of war from the viewpoint of a young man who reflects on the fate that befell his village in this grinding war. The reality of war is reflected by the villagers who try to lead a normal life despite all the hardships they are facing.

Before the July 1958 revolution, Abu Saeed decides to incite the peasants to rebel against Sheikh Majid Al-Iqtai, who had burned their crops, exploited them, and enslaved them for many years. He succeeds in rallying the people's spirits against him.

An Iraqi film about a woman trapped in an unhappy marriage to a husband consumed by delusions and suspicion. Seeking emotional refuge, she turns to those around her, hoping for compassion that might rescue her from her suffering, but in vain. Each person is burdened by their own struggles. Left with no one to rely on, she ultimately finds strength in asserting her identity and standing firm in who she is.