Carmen Hau

Adapted from a sensational real-life case in 2013, the intricate story begins when a young man partners with his friend to murder and dismember his parents. Pleading not guilty, the defense attorneys soon turn on each other, as the defendants play the devil and idiot game. Meanwhile, heated debates emerge inside the jury room, where nine jurors grapple with the truth.

A transgender woman from mainland China travels to Hong Kong with a single, urgent goal: to undergo gender-affirming surgery. Moving through the city in a state of emotional suspension, she navigates temporary lodging, medical bureaucracy, and fleeting encounters with strangers who alternately offer intimacy, indifference, or quiet solidarity. As the date of the operation approaches, her journey becomes less about the procedure itself than about the weight of expectation, fear, and self-recognition.

Aging is not all doom and gloom but can be super-duper fun. In a village far, far away from the city live a zany group of elderlies. Old Chap is a Chinese medicine doctor without a single patient, lascivious Old Ben is wheelchair-bound and confined in the village, while Moses the spiritual “flower child” always tries to connect with Mother Nature. When Chiara, Old Chap's granddaughter, appears suddenly as she decides to take a gap year from studying and turns Old Chap’s life upside down by putting on a pole dance show in his clinic, how will Old Chap reconcile with the shock of the new?

For every emigration wave, there is always a wave of return to Hong Kong. Leaving and returning seem to be the beginning of the journey for rootless Hong Kongers. Perhaps Hong Kongers are destined to wander in a cycle of uncertainty. Emily and her fiancé Vincent immigrate to the UK with hopes of starting a new life. They will take over the home of Megan, an old classmate who has lived there for several years and decided to return to Hong Kong. The three friends roam around London and will bid farewell to each other after spending the day together. It is goodbye but it is also the start of a new journey. The director uses this film to express her own feelings after going through the same journey. She carefully inserts daily life details to show the cultural differences and reflects on the faint sadness of exchanging fates.

After her boyfriend Hao's untimely death, Yin is left to operate their studio by herself. The devastated Yin stumbles upon “Closer”, a mobile application that bridges the communication between the living and the dead. Through it, Yin is reunited with a lifelike Hao with not only the same voice but the same personality, emotions and memories. After a brief return to normalcy where the reality of death is obliterated, the limitation of “Closer” eventually forces Yin to confront the inherent divide between the living and the dead. Can love last forever by staying closer?

Flipping through pages of Hong Kong and London, the participating artists talk to each other in their mother tongue with implications perhaps only they will truly understand. Among the most familiar yet unfamiliar places—a bridge, a rooftop, a cafe and a station, as different as night and day, they reveal their hesitation or expectation, disappointment or comfort, sorrow or possibly even a change of heart as the first light seeps into the sky.