Mario Martínez

A mother moves into a new house with her two children. One night she must leave the siblings home alone. What begins as a blast of carefree play soon turns into a claustrophobic horror story.

In the hours leading up to the National Chamamé Festival, the Federal campsite and dance hall are invaded by devotees and those curious about this music, which is more than just a musical genre. It's an excuse to come together, an identity, a way of life. These gatherings, the zapadas, the free dancing, the lulling sound of the accordion, and the rebellious cry of the sapucay transform this place into something like an Eden on earth, a paradise, Chamamé Paradise...

Floggers: a passing fad or a new culture that will endure? Another strategy to induce teenagers to consume excessively? These questions are unraveled in this documentary by the protagonists of the phenomenon: shopkeepers, hairdressers, teachers, and, of course, the floggers themselves.

Sixty years after the creation of the Cinematography Institute of the National University of the Litoral, in the midst of the Fusiladora Revolution, former teachers and graduates bring to the present the conflicts generated by their audiovisuals critical of capitalism. Despite the definitive closure in 1975, for these former teachers and graduates, the fight continues from the new film schools that opened in Argentina and Latin America.

Forensic anthropologists use laser technology to search for clandestine graves of the dictatorship in the scrubland. Valeria, the daughter of disappeared people, coordinates the search. Otilia, Mother of Plaza de Mayo, awaits news of the past.

A mother and daughter’s love is orbited by joys and challenges.