Andrew L. Stone

Whitney Cameron is in a quandary: he's attracted to his beautiful sister-in-law, Lynn, but also harbors serious suspicions about her. Her husband, Cameron's brother, died under mysterious circumstances, and now that the death of her stepchild, Polly, has been attributed to poisoning, he suspects that Lynn is after his late brother's estate, and killing everyone in her way.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

As dancer Ginny Walker performs on stage, a veiled woman in the audience stands up, accuses Ginny of stealing her husband and then fires a gun at her. After Ginny collapses and is taken to her dressing room, the woman, Julia Westcolt, a friend of Ginny's, dashes backstage, discards her veil, and then congratulates her friend on their successful publicity stunt. When Ginny's press agents, Gus Crane and his son Junior, visit their client backstage, she brags about her feat and chides them for not being more creative in promoting her. Horrified at Ginny's brashness, Junior, a conservative Harvard graduate, chastises her and leaves the room.

The "Tri-State" gang goes on a successful bank robbing streak causing local authorities to turn up the heat on the daring career criminals.

The S. S. Claridon is scheduled for her five last voyages after thirty-eight years of service. After an explosion in the boiler room, Captain Robert Adams is reluctant to evacuate the steamship. While the crew fights to hold a bulkhead between the flooded boiler room and the engine room and avoid the sinking of the vessel, the passenger Cliff Henderson struggles against time trying to save his beloved wife Laurie Henderson, who is trapped under a steel beam in her cabin, with the support of the crew member Hank Lawson.

Sergeant-Major Charles Coward, a brave British soldier is captured by German forces during World War II. When he's thrown into a prisoner of war camp, he immediately plans his escape. Masquerading as a wounded German soldier, he makes it as far as the medical tent, where the deceived enemy forces award him the Iron Cross. Though he is ultimately discovered, he goes on to courageously pursue his freedom with a whimsical and undying audacity.

A band of dishonest seamen plans a murderous mutiny aboard the S.S. Berwind.

Two attractive jewel thieves, one female (Olympe Bradna), one male (Gene Raymond) escape together after their latest escapade and hide out in the home of an aged concert pianist (Lewis Stone). To cover their tracks and keep the old man from turning them in, the thieves pretend to arrange his comeback concert. The artifice becomes reality, the pianist makes a triumphant return, and the thieves reform. This 1938 film is not a remake of 1932's Stolen Heaven, which wove an entirely different story about a suicide pact.