Maximiliano Passarelli

The Felpetos have managed a clandestine lottery business for decades. The family enterprise operates in a small housing development. Maribel leads a crew of clerks who log the bets from her living room. Alejandra, her mother, lives in an identicalhouse just a few meters away, which serves as the administrative office. Some lotto bankers have been raided lately, and the atmosphere in the neighborhood has become strage since. There has been talk about police dismissals and big-money movements. Nobody can tell what is true from the rumors or the news on TV

Juan meets Juan and they both have their hearts broken. A heart that’s a box of assorted chocolates where the other sticks his hand without really knowing what he’s going to get.

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

On 10 December 2024, at around two o’clock in the afternoon, a homeless man immerses himself in a lake in a Buenos Aires park and disappears. From this news item, the filmmaker reflects on the films that will never be made and those that may still be possible.

The pandemic, images from the past, images in the trash, various animals, a wounded lion boy, musical neighbors singing an old bolero, a medicinal herb vendor making cooking videos. An experimental piece in collaboration with I Acevedo, Paula Trama, and Inés Copertino, commissioned by the Buenos Aires Queer Art Festival.

Five strangers have the same dream: a room, a tree, a dance, a secret meeting, and a snake.

After an accident, Lorenzo begins to hear a persistent ringing that profoundly alters his relationship with the world.