Marko Veisson

A Finnish equivalent of Werner Herzog’s Grizzly Man, Hannu has a love and connection to nature that surpasses most. It is the rare lynx in particular that has bitten into Hannu’s heart – so much so that he actually claims to be able to speak its language. So when a dead lynx turns up in his forest, he dons an animal mask, crawls down on all fours and sniffs out the mystery through the mire and thicket. With hauntingly beautiful footage captured by hidden cameras throughout the forest, ‘Lynx Man’ paints a colourful and vivid twilight picture of the natural world around us – and of man’s impact on it. For no matter what Hannu does to live in harmony with the animals, he cannot hide from belonging himself to the species that is the lynx’s worst enemy. It makes sense that most of Juha Suonpää’s atmospheric film takes place in the twilight between dream and reality. Here, the vast forests come alive in Hannu’s hypnotic Night Vision footage of the nocturnal life of the lynx.

A giant girl lives in a wild rural environment. When the modern world enters this isolated Russian Old Believer milieu, the girl is taken away and dragged into the world of professional sports. The aim does not differ much from that of a circus in the Middle Ages – to entertain audiences and exploit the limits of people’s mental and physical abilities. But the girl proves to have unbelievable willpower and athletic talent. She is able to adapt and triumph in this new world. This is the story of the famous basketball player Ulyana Semyonova.

With their openly Dadaist approach, Estonian Puuluup are giving Northern European folk music a fresh lease of life. Discover the phenomenon at the Europavox festival.