Daniel Neves

Angolares are the oldest inhabitants of the island of São Tomé. Control of the island was wrested from them in the late 19th century, and their descendents have been reduced to a small fishing community. This fascinating film explores the tangled history of the Angolares and their beautiful island.

The true story of Assis Chateaubriand, the first magnate of communications in Brazil. Due to his influence during the late 1930s up to the early 1960s, he has come to be called 'the Brazilian Citizen Kane'.

The story follows a young pregnant woman who, upon visiting her ailing mother, finds herself trapped in a whirlwind of supernatural events and dark secrets that connect her to the mysterious past of the old residence.

Terrence McKenna: "What is real is you and your friends and your associations, your highs, your orgasms, your hopes, your plans, your fears." Aleister Crowley: "I am divided for love's sake, for the chance of union." Pessoa: "We never love anyone. What we love is the idea we have of someone." A music-text-collage-trance.

A short time has passed. Both arrived to a point of no return, a break is the only way out. One of them has to take the first step. This morning both decide to leave, definitely, without the other realizing it. The house remains empty.

The legend of Floripes, is about an enchanted moor of Olhão, in the Algarve. Enchanted moors are one of the cornerstones of Portuguese mythology. They are often seductive and being temptresses, they can offer a powerful reward, but also a terrible curse. Left in Portugal during the Reconquista while her family went back to North Africa, beautiful Floripes was condemned to roam her ancient kingdom in the Algarve until a man could undo her curse. Then she would marry him and give him her fabulous treasure. But if the man fails, she must eat his heart.

You Didn’t Know About Me proposes a filmic narrative to 7 characters, all with serious mental commitments. The themes presented are free: childhood, nostalgia and loneliness. The scripts elaborated are based on memories and experiences lived by the characters. The condition of invisibility, prejudice and stigmatisation is flagrant in the documentary’s narratives. The way the documentary is made exposes its making: the team and the director are unfolding as characters. At this stage, it is evident how the authors fictionalise personal stories from their past. The inter-dimensional perception of the narratives configures polyphonic plots, with forces in constant tension: directed with the most intimate for each character, and advancing to contemporary political and social issues. The plot surprises by this alternation of narrative focus, it manages to converge on themes that permeate everyone, and are common to all humanity, because of their poetic and existentialist character.