Guy Béart

Marcel and Francis are busy people. Marcel owns a café and spend all his nights running from meetings to meetings with members from the high society... at least, that's what he say to his barman! Francis leaves his home, loving wife and adorable daughter, frequently to attend meetings and demonstration with customers. His boss trusts him so much that his agenda is always full... at least, that's what he say to his wife! In fact, Marcel and Francis' incomes come from their night job: thieves! Here at least, they are professional. Troubles arise when, during one robbery, they encounter a young, high-pitched voice, candid girl who takes the decision to become their associate in crime... for the fun!

Laurent is an artist and sometimes con-man. He wanders into the life of Renee one day in her antique shop and tries to seduce her. Before they can leave town on a weekend getaway together, Renee's teenage daughter Daniele quits school and unexpectedly shows up. Laurent and Daniele fall for each other immediately and end up getting married. The film follows the disastrous situation created by the jealous mother and her daughter's immature husband.

The charming Lulu, a cabaret singer and dancer, has no shortage of admirers. When she decides to get married, she sets her heart on Robert, a young industrialist, but he is already married. Disappointed, she sets out in search of the ideal man.

The Dance is a 1962 French comedy film directed by Norbert Carbonnaux and starring Jean-Pierre Cassel, Françoise Dorléac and Arletty. The film is based on the French comic strip 13 rue de l'Espoir.

The heroine in L'Eau Vive is the unwilling heir to a fortune. Young Hortense (Pascale Audret) has always known that her family was greedy, but until she inherits her father's hidden millions she has no idea how loathsome her relatives could be. Surrounded on all sides by grubby, outstretched hands, Hortense takes some comfort in the fact that her legacy is still missing. When the money is finally recovered, our heroine does the "right thing" with her windfall, leaving her mercenary family empty-handed. Throughout the film, Hortense's dilemma is likened to a government dam project not far from her home; as the bridge grows in size, so too does Hortense's resolve to rise above the nastiness all around her.