Marianne Hoppe

Fred Engel's father is murdered by Colonel Brinkley in order to acquire a treasure map, however the Colonel only acquires half of it, the other half as held by Mrs. Butler. Discovering the scene of the crime, Old Shatterhand and Winnetou help Fred bring his father's murderer to justice and locate the treasure of Silver Lake.

For more than 50 years, Pauline Neuber has directed the "Olympia" theatre, but lately, business has been bad. It appears that no one will be able to make it better either: the audience doesn't seem to like the plays; the press even less so; and the shareholders of the theatre want to sell their shares. In short, the "Olympia" has one foot in the grave. Erich, grandchild of Pauline and always underestimated by her, gets to know Hella Bergson, the daughter of the theatre critic Peter Bergson, and falls in love with her - but doesn't have an idea whose daughter she is. He plays her some melodies from the first operetta he's ever composed and Hella convinces him to have the operetta performed in the "Olympia". During rehearsal of the operetta, however, a fight breaks out between Erich and Hella over a stupid misunderstanding.

Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an athlete in the 1936 Olympics, and his mute teen companion, Mignon. She's an acrobat in market squares for spare change.

Ten strangers are invited as weekend guests to a remote mountain mansion. When the host doesn't show up, the guests start dying, one by one.

A pretty girl helps a popular Berlin policeman solve the murders of a woman he knew and the crooked banker the victim worked for.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

In the year 1810, the Tyrol is suffering under French occupation. A servant, who believes himself oppressed and disenfranchised by the peasants, dreams of being allowed to play Christ in the yearly Passion Play. Instead, he is forced to play Judas and soon the lines of reality blur: he betrays the location of Andreas Hofer, hidden by the farmers, breaks under the weight of his guilt and suffers Judas' fate.

Early morning romantic excursions in a North German village under the thumb of a crusty old mayor.