Simen Anthony Samuelsen

Louise wants to confess to the librarian Kim, after having lied to him in hopes of getting a job at the library.

We follow Renate, a boundary-pushing theater director who is fighting to keep her career alive. When she starts to encounter resistance, she takes extreme measures to fight her cause. But where is the line between artistic freedom and responsibility in creative art, and when is enough enough?

Contemporary art has become an arena for political debate, and nowhere is this more evident than at the art academies. Norwegian artist Sille Storihle has designed a role-playing game to explore the issues. The rules of the game are clear: The students at the Film and Art School in Kabelvåg were given fictitious characters which they themselves developed further and act out in a group critique of each other’s work. But while the rules are clear, the game itself can easily spin out of control! And it does in ‘The Group Crit’, where the students (who are all in character) don’t hold back from criticising each other’s artworks – and each other in general – so we soon forget the performative framework of the heated debate. The collective experiment challenges not only the students’ self-perception, but also Storihle’s own authority as a director. An important, witty and wild work created with the active participation of the students.

A vulnerable coming-of-age drama about friendship, rejection, and learning to choose yourself when no one else does.

What Creeps Out at Night is a character study, where we follow Ava during a warm summer's day in Oslo. Struggling with the heavy feeling of loneliness, she desires to reach out and connect with others. The further into the night we go, that hunger becomes even greater to satisfy this need.