Idir Benaibouche

Rachid, a retired colonel and former freedom fighter, mysteriously disappears carrying a rifle from his past, while Djamel, a young man from a working-class neighborhood, sets off on an unexpected night adventure. On a remote rural road, their paths cross in a strange encounter that unfolds into a series of absurd and comedic situations, where memory collides with reality in a journey full of surprises.

During the siege of their city, a group of ordinary people struggle to survive amid hunger, snipers, and bombardments, while clinging to human connection, love, and small daily pleasures. Faced with impossible moral choices and deep psychological strain, their lives become inseparable from the siege itself.

In the rocky desert Algerian border country, Fethi and his fellow villagers eke out a living smuggling goods – mostly petrol – into Tunisia, working at night and paying off the local crime lords. Saad, a film-maker trying to raise money to finish his movie, has worked for a year with Fethi. He lives in his family’s shed, included as part of a loving household as well as their risky business. At the same time he is obviously an outsider: smartly dressed and prepared to talk back to anyone, including the imam. Tough, gritty but also moodily atmospheric, its tension sustained by a tumultuous soundscape, theis remarkable film delves deeply into the complexities of family, friendship and daily survival.

Up bright and early with their pet in tow, Zohra Bouderbala and her five children are heading to the beach. This is not a drill! In Algiers, the coveted front row spot waits for no one, but it’s not this family’s first time having to beat the summer seaside crowds. The unmotivated and out-of-luck masses who arrive too late will be left to a viewless laze in the sun, the alleged horizon blocked by a fortress of parasols and flowing canopies.

1953, colonized Algeria. Fanon, a young black psychiatrist is appointed head doctor at the Blida-Joinville Hospital. He was putting his theories of ‘Institutional Psychotherapy’ into practice in opposition to the racist theories of the Algies School of Psychiatry, while a war broke out in his own wards.

Soula Bahri plays herself in Salah Issaad’s debut feature, a road movie about a young single mother rejected by her family for dishonouring them and by a society that does not care about people like her. Trying to make it through the night with her baby, she sets out along the roads of Algeria only to find herself caught up, through a series of unfortunate encounters, in a spiral of violence. Soula is an extraordinary portrait of a woman under pressure, both from those closest to her and a society riddled with contradictions.