Roland Monod

A former bank robber is released after 10 years in prison. He gets help from a social-worker, but gets harassed by an old cop from his past.

A captured French Resistance fighter during World War II engineers a daunting escape from prison.

On his way from Madrid to Paris, Diego, a chief of the Spanish Communist Party, is arrested at the border for an ID check but manages to flee. When he arrives in Paris, he searches for one of his comrades to prevent him from going to Madrid where he could be arrested.

The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?

In 1958 in Paris, during the Algerian War, a young trainee lawyer, Maître Chabrier, was assigned to defend an Algerian garbage collector against paratroopers who had beaten him. Stay out of Algerian affairs, his peers advise him because the trial is taking a political turn. Chabrier acquired the reputation of the Fellaghas' lawyer.

When Christine, young and out of work, arrives in Paris without money, a job or support, vulnerable and ignorant of the rules of the game, she seems to be an easy victim. But she is determined not to let herself be destroyed.

Claire, a UNESCO interpreter, begins a romance with an oceanographer named Simon. Their relationship is challenged when Claire receives a breast cancer diagnosis. Faced with her illness and the potential for a mastectomy, she struggles with her self-image and decides to push Simon away, believing the diagnosis will change their future together.