Mohammadreza Shajarian

Kurdish-Iranian poet Sahel has just been released from a thirty-year prison sentence in Iran. Now the one thing keeping him going is the thought of finding his wife, who thinks he's been dead for over twenty years.

Unemotional, restrained cinematographic poem, situated in a wintry and poor suburb of Tehran. A man is dismissed and his lack of prospects for the future make him decide to seek his happiness abroad. He leaves his wife and child behind and for a long time nothing is heard of him. Then a stranger turns up, a car mechanic looking for a job. The attractive single mother can’t resist his attentions. Very subtly, a struggle ensues that reflects that of a whole generation of young doubting Iranians who may want to leave the country, but hardly know how to start.

Ali, a blind man, is attempting to commit suicide when he is interrupted by the concierge of his building. He is informed that the police is in search of a woman who has escaped and hidden somewhere in the building. Little by little, Ali finds out that the fugitive woman, Leila, is inside his apartment. After participating in a workers’ protest that led to chaos, she is distraught about her four-year-old son who was lost when she was taken in a police van. Gradually, Ali becomes emotionally attached to her. Wishing to flee reality, helping Leila becomes a refuge in his own world of imagination.

A group of Iranian classical musicians in the Ghajar era try to release their first record, which takes them on a journey to France.

Hamsfar with Morgh-e-Sahar is a visual narration of Mohammad Reza Shajarian's last concert tour in the United States with Shahnaz in 1391. In this one-hour documentary, we traveled with Mohammad Reza Shajarian on a trip to Boston, New York, and Washington, D.C., capturing the pure moments of his life behind the scenes of his concerts, and following his heart and his social and cultural perspectives.

A young man finds love and his footing as an artist.

It is the story of the ups and downs of our music during the war years. It is a simultaneous narration of two stories: the story of the young people who sacrificed their lives to protect the homeland, and the story of the musicians who, on the one hand, entered the field with their own language and instruments for the homeland, and on the other hand, tried to preserve Iranian music. And the victor in both of these fields is Iran and Iranian music.