Alain Libolt

June, 1940. France collapses and signs the armistice. In the midst of the chaos, one man refuses to give up. Alone against the odds, this unknown general flees to London to save what remains of freedom.

Fabienne is a star; a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed.

Betrayed by an informant, Philippe Gerbier finds himself trapped in a torturous Nazi prison camp. Though Gerbier escapes to rejoin the Resistance in occupied Marseilles, France, and exacts his revenge on the informant, he must continue a quiet, seemingly endless battle against the Nazis in an atmosphere of tension, paranoia and distrust.

Magali, forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine and Isabelle both want secretly to find a husband for Magali.

A journalist tries to balance the duties of marriage and motherhood while researching a piece on college women who work as prostitutes to pay their tuition.

18-year-old Lina arrives in Paris for her studies. She comes to look for what she has never found in Lebanon, her country of origin: a certain form of freedom. The survival instinct as the only baggage, she sails from one Paris to another to the rhythm of her romantic encounters.

Simon is an experienced doctor who rubs shoulders with death on a daily basis as part of his job in an intensive care unit. Like any good professional, he has learnt to shield himself from it. But when his mother is hospitalised in a nearby unit, and is in a critical condition, his private life and professional life clash spectacularly. Simon’s whole world, and all his certainties and beliefs, are shaken to the core – even to the extent of re-evaluating his career...

Two seemingly happily married French couples are forced to contend with a number of issues.

1934. Philippe falls in love with Odile, a beautiful stranger, and decides to marry her, against the will of his parents. They would have preferred a more bourgeois bride, ideally from their own milieu: the paper industry in Angoulême. Isabelle, for instance, whom they have known since she was a child, would have been the perfect match. But Philippe sticks to his choice and marries Odile. At first the newly-weds are passionately in love, and the whole family looks forward to the birth of an heir for the Marcenat family. But in vain. Instead, Odile neglects her marriage and devotes herself to drawing, a gift she inherited from her father. Or is her rekindled interest in art classes more the result of her encounter with the charming but mysterious artist François Crozant? Philippe sense that he's losing his wife and becomes madly jealous of François. Meanwhile Isabelle, who's secretly in love with Philippe, is just waiting for the right moment.

Grace Dalrymple Elliot is a British aristocrat trapped in Paris during the French Revolution. Determined to maintain her stiff upper lip and pampered life despite the upheaval, Grace continues her friendship with the Duke of Orléans while risking her life and liberty to protect a fugitive.

Like every weekend senator Henri Pagès and his wife entertain guests at their beautiful mansion in a peaceful village near Paris. But this time around, things go awry: Pierre Collier, a psychoanalyst and consummate womanizer, is brutally murdered. Claire, his wife, dazed and confused by his corpse, with a smoking gun still in her hand, seems to be the ideal culprit...

Nadia is in her late 30s and begins a serious relationship with a teen named Pierre.

Paule is pushing 50, as she repeatedly observes in her voice-over commentary. When she – a philosophy lecturer with a 10-year marriage and a 15-year-old daughter – learns that her husband is having an affair with a 28-year-old, this number takes on a special weight. The Internet site “L’âme-sœur” is supposed to help Paule get through her burgeoning midlife crisis...

Bernie, a 30 years old orphan, decides to leave his orphanage and find his parents. After an investigation, he meets Marion, a young heroin addict and falls in love with her. He believes that his family was victim of a plot and this is why they deserted him.

At the end of the 19th century, an orphan comes to live with her aunt and uncle in Normandy. The girl is taken in not only out of philanthropy, but because she has a large inheritance that is held in trust. The child grows up and is attracted to her cousin, an underachieving airhead, whom she later helps out of financial difficulties as a young woman. After her aunt's death, she takes over the household and helps the family financially. The planned marriage to her cousin fails when a rival appears. This is the story of a selfless woman who, despite her disappointments and low lives, refuses to let them take the joy out of life.

Bruno, a communist newspaper journalist, is suffering a mid-life crisis. Torn between his wife Gaëlle and his young girlfriend Nathalie, his political beliefs battered by the wind of history, Bruno seems to have lost his bearings.

Former professor of natural history, Louis Compiegne lives in retirement in a big house, with Pascal, his faithful servant. The arrival of a young American student comes to disorder the quiet life of the pensioner.

While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

In the middle of the 17th century, the Marquise de Sévigné wanted to make her daughter a brilliant and independent woman in her own image. But the more she tries to control the young woman's destiny, the more she alienates her. Mother and daughter then experience the throes of a singular and devastating passion. A major work of French literature is born from this devastation.

A CEO for a television channel finds his life torn apart after he wakes up from coma.

Rural France, the 1890s. Always in motion, Augustin wanders three times. First, as a youth, while a boarder near Bourges, he's lost in the woods and finds a chateau where an engagement party's in progress: there he falls eternally in love with Yvonne and she with him. Back at school, he hears she is in Paris, so he follows in a vain search and meets a woman, jilted by her lover. In the countryside a few year's later, Augustin's friend François finds Yvonne and brings Augustin to her. They marry, but the next day, Augustin leaves to fulfill a youthful promise he made to Yvonne's brother. François comforts the pregnant Yvonne as they await Augustin's return.

Within my walls, many people are taking a break. Waiting to live.

May 6th, 2007: Alice, a socialist activist, still believes in Ségolène Royal and decides to do everything in her power to help the socialist candidate win. Unfortunately, nothing goes as expected.

The story of a man led back to Austria, his home country, by a business trip. The country has become strange to him, more a prison than a refuge, yet it touches on the story of his mother and stirs up forgotten memories.

Les Cinq Dernieres Minutes is a crime based French television series

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.