Johanna Viskar

In a world where no one speaks, a devout female hunts down a young woman who has escaped her imprisonment. Recaptured by its ruthless leaders, Azrael is due to be sacrificed to pacify an ancient evil deep within the surrounding wilderness.

Miina has grown up in a safe home environment. That can’t be said about her best friend, Liidia. Besides having a beautiful friendship and doing normal teenage things in the Soviet smalltown, there is some darkness to be faced. Everything begins to change when Liidia becomes influenced with a new arrival to town, a woman portraying what she aspires to be. A new, better and more confident version of herself, so that she could find a way out of her unsafe environment.

The short film talks about Aet, who finds herself in a position where she is left with unknown luggage. Her sense of duty and justice wont leave the luggage.

The comical short film "Christmas Day" tells the story of a strong bond between Pia and her grandfather. The story takes place within the familiar Christmas hustle and bustle, complete with stressful gift wrapping, ear-piercing children's squeals, and a traditionally comical family Christmas dinner. Amidst all the chaos, Pia finds herself in a moment of a different reality, through which she manages to regain her Christmas joy and gets a reminder of how much we need our family's warmth and acceptance in good and bad times.

Through pitchblack humor that’s born from a familiar absurdity of life’s situational satire, this film offers a sharp insight to the minds of somewhat intertwined inner worlds of two lonely individuals.

A blind choreographer returns to the rehearsal room after years away. Dealing at the same time with the gradual loss of her visual memory, she must reconnect with touch in order to communicate with her dancers.

Set in a dystopian future. When an extremely dangerous Twin Turbo engine is stolen from the harbour twins, sister cops Nana and Lulu enter the world of illegal street racing in hopes of turning their lives around.

Simona and Tomas have been together for five years, but during that time the man has had several affairs. There is an immense chasm between them and the man is tired of explaining himself. Simona begins a journey to understand what a man feels, needs, experiences and considers important.

As Karl learns about his girlfriend's serious diagnosis, he finds himself in a situation where the fear of being blamed for what happened triggers a cycle of lies. While seeking a way out of his tangled web of dishonesty, Karl is no longer confident in standing by his girlfriend.

Lola ends up sitting on a bench with local women on Midsummer Eve. At first, all women's troubles are alien to her, but as the evening progresses, she begins to question her current perspectives, and as a result of the long benching, she grows up with the country women in her own way.

Robert is nineteen and not an overly happy person. Fortunately, he has two loyal friends who love to go on little adventures. And they love to drag Robert with them. One day, Armin and Olivia decide to go skateboarding. And they are definitely not leaving Robert behind.

Jakop has been living by Peipsi for several generations. He is not the best fisherman and doesn't have much money. One day, Jakop's nephew arrives at the yard. Jakop has a chance get a thousand rubles if he agrees to make one small trip over the lake and back. Namely, the nephew has a fugitive in the car who thinks that he is on the north coast. But Jakop refuses the offer. However, he allows his nephew and the refugee to stay with him for the night. In the morning, however, the nephew leaves and leaves the speechless fugitive to Jakop's conscience. Jakop has to make a decision - whether he takes refugees across lake Peipus? In the whirlwind of events, memories come to life in Jakop's dreams about his brother and his suicide. Jakop begins to see similarities between the lost brother and the fugitive.