Kate Kroll

How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.

Wedding photographer Lindsey gets her big opportunity when a New York mogul’s son, Josh, asks her to shoot his sister’s wedding. Sparks fly as Josh and Lindsey prepare for ceremony, and the pair begin to fall for each other. But as the big day arrives and the project finishes, do they go back their old, separate lives or will they follow their hearts?

An Indigenous teenage boy fights through distorting realities as a family secret unravels.

A hopeless romantic with big dreams, Steve is an ex-con hired to chauffeur a mob boss' girlfriend for a night. He's blissfully unaware that his passenger has died and is now possessed by one of the Four Horsemen of the Apocalypse.

When an incompetent intergalactic conqueror crash lands at a comic convention, he must find a way to subdue the locals or face the wrath of his merciless counterparts.