Bian Yuan

Beijing Bubbles is a portrait of the punk and rock scene in Beijing, which as a subculture is barely recognized there. Center stage of the film takes not only the music, but first of all the attitude to life of the young musicians who deny consumerism and pressure to perform well. The Berlin filmmakers Susanne Messmer and George Lindt go on a ramble through the musical underground of Beijing and thereby meet people, who give them naturally and spontaneously an up-front insight in their daily live. Kind of a video diary it gives insight in a counter culture hardly anyone would assume in an authoritarian state like the People's Republic of China.

Joyside leaves Beijing on their first nationwide tour of China. An American filmmaker, whom the Bass player refers to as a "horse-face" in the end credits, accompanies them to prove that China is not ready for rock n' roll and that in its current state, although humorous, is a nightmare for the youth trying to build its interest.