Afif Faaiz

One day, the cafe where Kevin works is borrowed as a filming location. At an unexpected time, Kevin meets Ranni, one of the make-up artists in the production crew. At the same time the clapper closes, they then imagine as if they were in a movie and do various romantic scenes. But when they are free from their imagination, they have to face the awkwardness and embarrassment of getting to know each other.

Grief, friendship and tragedy. A group of friend trying to find solaces after the death of their closest friend. In the midst of trying so, a horror awakens.

After Indonesia became independent, a veteran independence soldier, Ki Atam, continued his life selling banana blossoms for a meager income, he lived a life full of poverty. Approaching the anniversary of Independence Day, he wanted to buy an Indonesian national flag for his house. However, a tragedy befell him.

An independent photographer then meets his old friend as a client. Between their meetings, conversations arise and feelings are expressed.

Radja's friends return to the villa they once visited to uncover the cause of his death, eventually summoning his spirit through an Indonesian mythological game known as *Jailangkung*.

The relationship between native women in the cities of Cianjur, Bogor, and male tourists from the Middle East, that merges beliefs and morals.

A man trying to grab his things that fell under the bed.

Satria, a professional thief, lives ironically within an academic community. Behind his friendly demeanor, he crafts a step-by-step guide to stealing—divided into two phases: pre-theft and theft. Through witty yet biting narration, the film peels back the layers of moral absurdity in society, questioning the line between cleverness and crime. A social critique wrapped in satire and irony.