Jill Go-Soco

A returning son carries the weight of the city and the secrets of how he survived it back to a home suffocated by his father's blind loyalty.

The daughter of an overseas Filipino worker is being haunted by a crow-like humanoid creature, the manifestation of her guilt and burden of life. While trying to run away from it, she eventually learns that the only way to stop the haunting is to embrace and accept the creature.

WOMaN is a visual exploration of the becoming and realizing of what it means to be a woman in this day and age. An experimental film told from the heart of SUBLIMEBBABY and eyes of Angelo Bote — complex, strong, independent, aggressive, soft, vulnerable. We embrace both masculine and feminine aspects following the woman on screen. “To maintain an interest in life, to laugh at the little/big things. To embrace my feminine energy but let my masculine shine in coexistence. These are my promises to my younger self.”

Struggling to pay for his 16-year-old daughter’s laptop, a conscientious father applies for a product loan purchase after getting convinced by a plausible saleslady in a very unusual IT retail shop.

After being forced out of school, Kokoy, 20, finally finds hope after landing a job interview. Little does he know that he is living a real-life loop of badluck.

After spending the night drinking, a woman spirals into drunkenness and grapples with the different colors of warmth and grief.

a film by Jill Go-Soco

A barangay avoids hell through a yearly sacrifice of a child. Desperate to make peace with her friend's death six years ago, Mads takes the matter into her own hands.