Alexey Vishnya

The film is based on a video made by Sergey Lando on the Petersburg Recording Studio at the end of March 2009, before the 200th anniversary of Nikolai Gogol. Next day, Oleg Karavaichuk took the footage and assembled film. It was first shown on April 1, 2009 in Gogol's birthday at a concert "Diary of a Madman" in Culture House "Lensovet" in St. Petersburg. This film is not about Gogol, but is dedicated to him: in the intervals of playing the piano, the composer talks about the true roots of the writer's work, about the common fate of the greatest people of art, about the synthesis of music and literature, about eternity and paradoxes.

A fantastic show with chases and alien spies and famous Soviet pop artists.

A young boy learns that his parents own a spyglass which allows them to keep track of his every move.

A Russian film crew is coming to Varanasi to shoot an arthouse film. The whole atmosphere of the ancient city encourages us to think about the meaning of what is happening, about the essence of cinema, about values that are usually considered obvious and not discussed. Soon, the filming process begins to collapse, and the film begins to shoot itself. This movie is a parable about the crumbling of the world and correction, about love as the only force capable of healing the world.

With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart.