Nuria Rincón

Ana returns to the village in summer with the intention of setting up a cinema in the courtyard of an old family house. One day she is working on her project and meets Lucía, an old acquaintance. She hasn't seen her for years but quickly starts to help Ana to make the cinema work properly. The screenings begin as the relationship between Ana and Lucia grows closer. Ana is worried about feeling integrated in the village, while Lucía suggests filming the different neighbours with her video camera so that they can appear in the screenings. The summer goes on and the village is emptying of people, while Ana and Lucía continue filming funny scenes. Soon it will be time for Lucia to leave the village and return to her life in the city, but Ana doesn't want to give up her new way of life in the village.

An unhinged nun kidnaps a young man who skipped his catechism as a child. With the help of her scatterbrained novice, they will force him to complete the sacrament of First Communion.

A sex doll called Lucy wakes up in the bedroom of a doll brothel. She lives with Mina, another doll. Together they watch TV: their window to the real world. They imagine themselves living far away. After a while, Lucy wants to escape. But Mina doesn’t want to leave. Lucy has to choose between freedom and the doll she is in love with.

Marina finds herself on the previous days of her last piano concert that will change her life forever, continuing her studies in Germany, far away from her actual life. However, what nobody sees, blinded by the scholarship, is that the preassure is killing her and that it will drive her where to what a 17-year-old shouldn’t go.