John Southworth

Young Cedric Errol and his widowed mother live in genteel poverty in 1880s Brooklyn after the death of his father. Cedric's grandfather, the Earl of Dorincourt, has long ago disowned his son for marrying an American. But after the death of the Earl's remaining son, he decides to accept Cedric as his heir.

1880. British India. Robert Case, a half-caste lieutenant, is unjustly discharged from the British Army. He joins the rebel Bengali tribesmen offensive against the colonial enemy. They capture a foreign journalist and Case recounts his story of false accusation on trumped-up charges, instigated by the bigotry and racism of his commanding officers. Following a successful attack by the British against the rebels Case is brutally shot by Colonel Drewe, his accuser. The journalist returns home determined to report the true story of The Brigand of Kandahar.

After 16 years away Stan Peachey returns to his village. His wife still loves him but his sister wants revenge. What was his crime?

A new government takes power with a drastically reduced majority. But the ambitious young Home Secretary has a plan to bring the legal establishment to heel and bypass Parliament altogether. Anthony Andrews says of writer and barrister John Cooper (who wrote the ITV series The Advocates): "John is writing about a world he knows intimately. It is a most original and exciting screenplay and extremely prescient in view of the current controversies surrounding the judiciary." Producer Simon Passmore Director Jim Goddard

Adaptation of the Mallen series of novels by Catherine Cookson.

The true story of a Prussian aristocrat working for German military intelligence during World War II, who, with a group of fellow devout Christians, plotted to assassinate Hitler with a bomb in his briefcase.

A play about the gunpowder plot written from a new angle by Jimmy McGovern.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.