Jan Vromman

When giants die let three generations look back on the street happenings around parties and manifestations. The grandfather appears as a ghost and represents processions organized by order of cities and municipalities. It is his son who places the parades in a series of processions, historical processions, parades, traditional parties and carnival parties. Criticism and attraction play their game. Finally, the grandson searches for contemporary forms and points to demonstrations, manifestations. Reclaiming the street, forming a community, expressing thoughts on the street, together outside, ... 'The street, the mother of democracy', is how it sounds through a robot-controlled horn. To give up the street is to lose freedom.

All over the world, the pig is the bearer of images and stories. The animal provokes passion and rejection. What we do and have done with "the pig" reveals "man". Does the greedy pig act as a metaphor for our voracity ?

In this video Vromman shows us virtuoso how a “plan séquence” is capable of exploring a given spatial arrangement notably an abandoned church in Ghent. It is as though the camera possesses a will of its own, or, more appropriately, as it became itself a dancer within the given space. The columns become veritable side wings behind which the dancers are playing hide and seek and where perpetually new movements and new images are discovered. Summary by argosarts.org