Boris Cizej

The film was prompted by the fact that in the capital of Slovenia, one of the republics of the former socialist state of Yugoslavia, a magazine was published that saw nine bans or confiscations – more than any other newspaper in the communist Europe. A thorn in the side of the authorities for thirty years, this student magazine brought together young intellectuals who detected possible democratic shifts in the public sphere. Never strictly political, their rebellion invariably had to do with culture and its latest practices in the more liberal countries.