Emmanuel Akintunde

Drawing on the vocabulary of the film still and tableau vivant, the film witnesses actor/ models preparing and performing a series of choreographed still scenes based on common cinematic and everyday scenarios. At the centre of the film is the use of cinematic devices to draw an audience into the fiction of the still enactments. Short sections of footage shot ‘between takes’ interrupt these evocative passages, addressing the audiences will to suspend their disbelief or be reminded of the conditions of the films production.

Samuel has lived many lives, troubled by the past he tries hard to forget. He is sent by the crime boss, Loro, to take the souls of unsuspecting victims. In a diner, he meets a seemingly abandoned girl, Anna, and becomes fond of her, without knowing the secrets she possesses.