Fritz Rotter

An industrialist and a pianist meet on a trip and fall in love. Through a quirk of fate, they're reported dead in a crash though they weren't on the plane. This gives them the opportunity to live together free from their previous lives. Unfortunately, this artificial arrangement leads to increasing stress.

An aging truck driver finds smuggled money and becomes involved with a hijacking crowd.

The title character, played by Bonita Granville, is the secretary at a boys' reformatory. Sociology professor Noah Beery Jr. shows up to study the juvenile-delinquent mindset. Not surprisingly, he ends up taking a post-grad course in amour from the winsome Ms. Granville.

A grandson of a recently deceased millionaire mistakes a beautiful female disc jockey for her aunt, who once dated the grandfather.

An adolescent believes that his widowed mother's suitor may have murdered his father.

This silent-screen classic, like many others produced near the end of the silent era, was both a theatrical extravaganza boasting an original orchestral score and an item which languished in obscurity for many years. When Carlo Piccardi took what was left of the score by Maurice Jaubert and re-created it, the existing footage was restored and paired with a new orchestral performance which was shown in Paris in 1988. The film's story concerns the travails of a woman who has been living quite comfortably as the mistress of a colonel in the Tsar's army in Russia. However, she eventually encounters a penniless young lieutenant and falls madly in love with him, as he does with her. Despite her best intentions of remaining with the colonel, and his intention to avoid trouble with his fellow soldiers, they cannot forswear this relationship, and tragedy is the inevitable result. The title refers to a moving incident in the story, and translates as "the wonderful lie of Nina Petrovna."

After the death of his uncle, the owner of the Rhine based Bockelmann Sparkling Wine, Peter turns up for the reading of the will. Justus Bockelmann, a producer of mineral water, is confident he will inherit the business, but ‘for reasons of moral rectitude’ he has no intention of running an ‘alcoholic business’. The opening of the will comes as a surprise to all the potential heirs.

A Hungarian-Austrian comedy and one of the last emigrant films made in Austria before the industry submitted to pressure from Nazi Germany and ceased to employ Jewish filmmakers.