Anna Filidou

After their violent breakup, the ghost of her ex follows her. He is everywhere, wherever she looks, so Alex seeks refuge. She soon discovers that all her familiar places and faces are a threat. Her instincts lead her to an underground walkway. There, she connects with a homeless man who lives there. In his gaze, she recognizes a shared trauma. She feels like he is the only person, in the only place where they can coexist. Their silent companionship brings her one step closer to facing her trauma head-on for the first time.

By the shore of Lake Kerkini, nestled among the poplar trees, lies a small farm. There, a father and his son raise buffaloes. The camera lens roaming between their feet, quietly observing the daily life of both the men and the buffaloes. A wetland where the natural wealth is evident as loneliness.

o An attempt to disconnect from technological everyday life. Another confirmation that this is becoming an inseparable part of us. The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.