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Marie Frering

Directing

Marie Frering

Born May 8, 1960 · Alsace, France

Died January 13, 2020 · aged 59

Born in 1960 in Alsace, Marie Frering is a writer, director and producer. In 1983, she made her theatrical debut, first as an actress (at the Théâtre du Marché aux grains and with Pascal Varley), then as director with La Montagne brûle (Paysage sans titre after Gertrude Stein, Gespräch im Gebirg by Paul Celan, Les sept premiers chants de l'Enfer by Dante). She also worked as a broadcaster for Radi…

Known For

PrémonitionPrémonition · 2013
Prémonition
2013
MovieWarDrama
I carve smiles into mountains' woundsI carve smiles into mountains' wounds · 2018
I carve smiles into mountains' wounds
2018
MovieDocumentary
Achour is thirty. Night and day, he walks. Rebellious soul, he crisscrosses Alger and its neighborhoods, stays at friends' houses and often leaves the city to meet the nearby montain in Kabylia, his alter-ego. In this environment his resistance continues, mobile and ascending. Algerian hardcore-punk musician, Achour once screamed his anger against the country's regime and sang "Anarchytecture". But the movement died down, friends went their separate ways. His Facebook wall became his notebook, his window open to the world. It represents a scream aimed towards the echo of the mountains, between virtual wall, infinite facades of large complexes and the strata of mineral cliffs. A scream comes back at us.
Bhoutan, la naissance d'une démocratieBhoutan, la naissance d'une démocratie · 2008
Bhoutan, la naissance d'une démocratie
2008
MovieHistoryDocumentary

Filmography

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I carve smiles into mountains' woundsI carve smiles into mountains' wounds · 2018
I carve smiles into mountains' wounds
2018
MovieDocumentary
Achour is thirty. Night and day, he walks. Rebellious soul, he crisscrosses Alger and its neighborhoods, stays at friends' houses and often leaves the city to meet the nearby montain in Kabylia, his alter-ego. In this environment his resistance continues, mobile and ascending. Algerian hardcore-punk musician, Achour once screamed his anger against the country's regime and sang "Anarchytecture". But the movement died down, friends went their separate ways. His Facebook wall became his notebook, his window open to the world. It represents a scream aimed towards the echo of the mountains, between virtual wall, infinite facades of large complexes and the strata of mineral cliffs. A scream comes back at us.

Writer