María Milessi

Ana, a young orphan moves to the house in the forest where her only friend lives. The ambition of her friend's father to take over the nearby lands will awaken an old pagan cult that will use Ana as their only option to protect the place.

By chance, Martin and Laura travel to Villa Gesell at the same time. They are not together anymore but 18 years ago they conceived their son, Pablo, there. Soon, situations as absurd as they are touching will arise from their encounter. Juan Villegas ventures into comedy and is back at Bafici with a nostalgic, intimate film.

When her son is accused of raping and trying to murder his ex-wife, Alicia embarks on a journey that will change her life forever.

The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.

Sangrita drives home at night after being told there are two naked girls awaiting him in his bed. Someone has arranged for the girls to be sexually aroused artificially by anesthetics, and filmed by an old man who'll stop at nothing to record the encounter on video. The two men and two girls wait inside a luxury mansion waiting for Sangrita, who's taking longer than expected to arrive.

Cecilia and her son embark on a journey. On the third day, she is found wandering alone, not remembering what happened during this time. She is desperately looking for her son and finds herself wrapped in a brutal hunt, carried out by a religious fanatic, whom she faces off against. To her, he's a lunatic. To him, Cecilia is the enemy.

Filmed in a single sequence, we see Lorena, a young employee at a gas station on the outskirts of Buenos Aires. One night, she reacts violently toward a customer, to the incomprehension of the others. What happened?

Battling terminal cancer, a woman writes a one of a kind notebook about life, death and love for her son to remember her by. Based on a true story.