Antoine Pradalet

Bill Baker, an American oil-rig roughneck from Oklahoma, travels to Marseille to visit his estranged daughter, Allison, who is in prison for a murder she claims she did not commit. Confronted with language barriers, cultural differences, and a complicated legal system, Bill builds a new life for himself in France as he makes it his personal mission to exonerate his daughter.

David Petersen is passing through the Colorado Rockies. After saving a young diner waitress from her violent ex-husband during a break from driving, he hits the road again alone through a dangerous snow blizzard. One false move behind the wheel has him waking up inside a ravine, in the eye of the storm. But the cold is the least of his worries when a beast starts prowling outside. How will he survive?

Our War is a film about childhood, a film in history. The "Events" of New Caledonia seen by children of the 80s. Now in their forties.

Things are busy at the Paris hospital where young psychiatrist Jamal and his colleagues work. The place is run down, the staff are exhausted, budgets are constantly being slashed. You know the story, but you’ve rarely seen it conveyed as engagingly as in ‘On the Edge’, which employs a handheld camera and meaningful, artistic interventions to observe the daily routine at the psychiatric ward. The deeply sympathetic Jamal is an everyday hero with an exemplary, humanistic disposition, for whom the most important prerequisites for mental health – and for a healthy society in general – are good relationships with other people. He puts his philosophy into practice by listening patiently, giving good advice and organising theatre exercises based on Molière. Realism and idealism, however, are in balance for the young doctor, at least as long as the institutional framework holds up.

Antoine is moving with his mother and little brother in a modern tower with green walls and a sustainable, self-sufficient architecture. In great psychological distress, he feels like a stranger to this new environment.