Dib Lutfi

Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.

In the 1930s, in the South of State of Bahia, Brazil, an adventurer with no name or history, who has already been shot seven times, gets involved in the battle for land and cacao plantations. His plan is to take the place of "Colonel" Santana, taking his wife and money. He starts a bloody conflict, in which many simple people and landowners die.

Two sisters are newly married; Guida to Paulo and Lígia to Décio. They spend their honeymoon in the apartment, a gift from the father of the brides. They will live there. Just a wall separating the intimacy of the two couples. Guida and Paulo are very happy. But on the other side of the wall; Ligia and Decius were never able to consummate their marriage. Decius is impotent and Ligia decides to commit suicide. To avoid the tragedy Guida, asks her own husband Paul to sleep with her sister for one night to help her losing her virginity. But when they continue to see each other, Guida gets jealous.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

The relationship among three friendly couples turns upside down when two of the men get a job on TV. Their girlfriends leave them, looking for more action in their lives.

Brazilian short film, directed by Julia Murat.

Arne Sucksdorff’s drama follows four homeless children—Jorginho, Rico, Lici, and Paulinho—struggling to survive in the Rio de Janeiro slums. They shine shoes, scavenge food, and pickpocket while dreaming of escape from the streets. When Rico, once escaped from a brutal institution in Caxambu, falls ill, he chooses to return there rather than die outside. A somber portrait of poverty and resilience, the film was selected for the 1965 Cannes Film Festival.