Teruko Ōmi

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.

A series of murders surrounds the 70,000 ryō in buried treasure hidden by the Kanayama Magistrate.

Blind swordsman/masseuse Zatoichi befriends a young woman returning home with her baby. When gangsters mistake her for Zatoichi and kill her, Zatoichi determines to escort the baby to its father. He gains the reluctant help of a young pick pocket and together they travel to find the baby's father. But they do not reckon on the father's reaction to their arrival, nor on their own growing feelings for the child.

Zatoichi runs afoul of some evil fugitives, working for a corrupt law official.

This film stars Tanaka Kinuyo as the mother of the heir to the Hosho name, a famous lineage of Noh actors. The heir, Hosho Yagoro, is played by Hasegawa Kuzuo who went on to become familiar among Ichikawa Kon fans as Yukinojo in An Actor's Revenge, which was also co-written by Ito, adding to the relatedness of An Heir's Place.

Blind masseur Zatoichi is nursed back to health by a young woman after he is shot by a gang member. Zatoichi, who had come to the village to repay a debt, now feels further indebted. He commits himself to use his amazing sword skills to help the young woman's father, whose river-crossing service is under attack by the same gang responsible for Zatoichi's wounds.

Film directed by Kenji Misumi.

Blind masseur and master swordsman Zatoichi finds a robbed and fatally wounded pregnant woman, whose baby he delivers before she dies. He takes the baby in search of its father and finds the child's aunt, who is about to be forced into prostitution for want of a payment the dead mother was bringing. Zatoichi determines to save the woman from her cruel fate.

Fleeing a distressing family situation, Eiko, a very young girl, becomes an apprentice to Miyoharu, a veteran geisha. Both, determined to preserve their professional integrity, must face the selfishness and ambition of several petty people.

Zatoichi is forced to kill a young man who owes a debt to a yakuza boss. Moments later, his sister Osode arrives with the money she earned (prostituting herself) to pay his debts. The bosses true motives are revealed and he attempts to steal Osode even though the debt is paid. Zatoichi realizes his grievous error and protects the girl from the gang. Osode and Zatoichi are caught in a dilemma as she must rely on her brother's killer for protection and Zatoichi wrestles with the injustice he has caused.

A kabuki actress is murdered. Her pet cat laps its mistress's blood and becomes a demon possessed by the vengeful murder victim.

The blind masseuse is targeted by the leader of a powerful yakuza group while also fending off a jealous husband bent on revenge. Zatoichi tours Edo's underground via a rousing onsen fight scene, gambling houses and the gender-bending character of Umeji, before a final, flame-filled conflagration.

After arriving in the town of Shimonita, Ichi finds that a price has been put on his head by a local yakuza boss. He's drawn into a trap, but after hearing of the slaying of a former love, Ichi furiously fights his way through the entire clan to face the killer, a hired ronin.

In one of Japan's most frequently-told ghost stories, a murdered wife returns in an act of vengeance.

Zatoichi is sworn to protect the life of a young girl and without any real allies finds himself in the middle of a bloody turf war.

The Fencing Master tells the story of a man trying to survive as the only world he knows is becoming increasingly irrelevant. Danpei Ichikawa lives for swordfighting – he was once a renowned kabuki swordfight choreographer, and as the Chairman of the New National Theatre Company, he wants nothing more than to choreograph the swordfights for the modern plays put on by the company.

Film by director Kenji Misumi

Blind swordsman/masseuse Zatoichi befriends a young woman looking for her father, a village leader who has disappeared. As he helps her investigate the disappearance, Zatoichi also becomes involved with another young woman who is trying to help her brother, who has murdered someone at about the same time and place as the missing man was last seen.

Who is Shinzo, the man who captivates both men and women…? Official lanterns flutter chaotically through the Great Edo of love and intrigue… A thrilling period crime drama featuring the Demon Magistrate.

In Kyoto a young kimono maker with traditional ideas gets involved with a married professor.

A shikakenin was an under-the-cover trade that undertook killing in Edo. Hanemon of Otowa, an agency that introduced laborers and maids, was also one of these. Katsugoro Iseya was a timber dealer who had come in as a client. His target was the constructions magistrate Hanno, and the Tatsumiya who sipped on the benefits. Hanemon who had a stong code towards killing, where he would only kill those who do no good to be in the world, accepts this request. Baian Fujieda, a needle doctor would carry out the killing. However, the professional killer Baian fails to bring down Tatsumiya. Hanemon then looks to another shikakenin, the ronin Sanai Nishimura for the role. Although Sanai's ability with the sword is good, he lives poorly in a tenement, and accepts this commission on the condition that it is kept a secret from his wife and child. Here, they close in on Hanno and Tatsumiya again...