Lee Hsiang-Hsiu

The story unfolds in "the realm of bears" that is the heart of the Yushan National Park. It is a place brimming with wildlife ecosystems and aboriginal culture. Fascinated by the area, one female ecologist started her journey searching for bears in 1998 while subsequently developing a close companionship with a Bunun hunter in the midst of this wilderness. Together with copious research, the secret of the Taiwan Black Bear is thus revealed.

Nan-Fang-Ao, a village in northeast Taiwan, once thrived on its big-net fishing industry. Now migrant workers from the Philippines and China vigorously live and work with the locals on one of the few remaining fishing boats. As we observe their life at sea, where the air is abuzz with different languages and gestures, thoughts of home drift among those who have come to provide for their families. There is the captain who talks about the old days, the woman who sent her husband off to sea and runs a shop in the village, and the laborers from foreign countries who buy gifts for their families at the market. With a fresh look, the film depicts people living on the unchanging stage of the ocean’s vast wilderness.

The Lost Kingdom traces the rise and fall of the Kung Le Society, one of the most prominent Taiwanese opera troupes to emerge after Japanese Rule. The film compiles archive footage, photos, and rare interviews with former troupe members, telling the story of how the entertainment mogul Chen Chengsan led his troupe to success, transforming the traditional folk opera into mainstream entertainment.