Victor Hugo

Isolated in the bell tower of Notre Dame, Quasimodo longs to experience the world beyond the cathedral walls, despite the wishes of his stern guardian, the Judge of Paris Claude Frollo. His first venture into the city leads him to Esmeralda, a fearless Romani woman whose defiance of Frollo's tyranny draws her—and Quasimodo—into his dangerous obsession.

An adaptation of the successful stage musical based on Victor Hugo's classic novel set in 19th-century France. Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Now that Frollo is gone, Quasimodo rings the bell with the help of his new friend and Esmeralda's and Phoebus' little son, Zephyr. But when Quasi stops by a traveling circus owned by evil magician Sarousch, he falls for Madellaine, Sarouch's assistant.

Paris, France, 1482. Frollo, Chief Justice of benevolent King Louis XI, gets infatuated by the beauty of Esmeralda, a young Romani girl. The hunchback Quasimodo, Frollo's protege and bell-ringer of Notre Dame, lives in peace among the bells in the heights of the immense cathedral until he is involved by the twisted magistrate in his malicious plans to free himself from Esmeralda's alleged spell, which he believes to be the devil's work.

Based on Victor Hugo's famed novel, the story of Quasimodo, the deformed bell ringer of Notre Dame, and his unrequited love for the gypsy girl, Esmeralda.

In 1482 Paris, Frollo, Chief Justice of benevolent King Louis XI, becomes infatuated by the beauty of Esmeralda, a young Romani girl. The hunchback Quasimodo, Frollo's protégé and bell-ringer of Notre Dame, lives in peace among the bells in the heights of the immense cathedral until he's involved by the twisted magistrate in his malicious plans to free himself from Esmeralda's alleged spell, which he believes to be the Devil's work.

Don Sallust is the minister of the King of Spain. Being disingenuous, hypocritical, greedy and collecting the taxes for himself, he is hated by the people he oppresses. Accused by The Queen, a beautiful princess Bavarian, of having an illegitimate child to one of her maids of honor, he was stripped of his duties and ordered to retire to a monastery.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

After enduring 19 years in prison for stealing a loaf of bread, Jean Valjean emerges a hardened man. He seeks redemption by reinventing himself as a respected dignitary under a new identity. He promises Fantine, a dying factory worker, to rescue and protect her daughter Cosette, who is being exploited and mistreated by the deceitful Thénardier family. As Valjean raises Cosette as his own, he is relentlessly pursued by Inspector Javert. Admist the social unrest shaking France, the fates of Valjean, Cosette, her lover Marius, and Javert become intertwined in a turbulent, revolutionary Paris. Through struggles, sacrifices, and a deep yearning for justice, Valjean strives to complete his journey of redemption and offer Cosette a future of love and freedom.

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.

Jean Valjean is released from prison after nineteen years of hard labor, violence, and suffering. Filled with anger and a deep sense of injustice, he has become a dangerous man who trusts no one and nothing. When he arrives in a small village in Provence, he is repeatedly turned away. Desperate, he unknowingly finds refuge at the house of Bishop Bienvenu, who lives simply, with his sister and a single servant. There, he is surprised by their warm welcome, and his inner demons start to waver. But the temptation to be what society sees in him still haunts him, and he steals the Bishop’s silverware. When the police ultimately catches him, the Bishop forgives him and gifts him the candlesticks. This acts becomes the starting point of Jean Valjean’ transformation into a new man who reclaims his humanity.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

When a proud noble refuses to kiss the hand of the despotic King James in 1690, he is cruelly executed and his son surgically disfigured.

This loose adaptation of the Victor Hugo classic shifts the story to Italy and back in time, with the deformed protagonist meeting Lucrezia Borgia instead of Queen Anne. Also, Gwynplaine is renamed Angelo (Jean Sorel) with his disfigurement represented by a single broad slash across his mouth, crude yet convincing. The story (not credited to Hugo) is a swashbuckler pitting the disfigured acrobat against the henchmen of the Borgias.

A union pensioner and his wife are robbed, but find that merely getting the assailants brought to justice is not enough for their consciences.

Quasimodo, the hunchback bellringer of Notre Dame's cathedral, meets a beautiful gypsy dancer, Esmeralda, and falls in love with her. So does Quasimodo's guardian, the archdeacon of the cathedral, and a poor street poet. But Esmeralda's in love with a handsome soldier. When a mob mistakes her for a witch, it's up to Quasimodo to rescue her and claim sanctuary for her in the cathedral.

Exiled from the court of Spain, Don Salluste, the chief of police, wants to take revenge on the Queen. One day he meets Ruy Blas, a young student who happens to be a lookalike of Don Cesar, his nephew. Salluste disguises Ruy Blas and presents him as Don Cesar. It doesn't take long before Ruy Blas, intelligent, virtuous and generous as he is becomes popular and the Queen, who has fallen in love with him, appoints him Prime Minister. All seems for the best in the best of worlds but Salluste has not forgotten his revenge, far from that ...

Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.

This concert, recorded to celebrate the 25th anniversary of the landmark musical Les Miserables, gathers the casts of the show's 2010 original production at the Queen's Theatre, the 1985 original production by the London company, and the 2010 production at the Barbican together for one performance. Together with talents like Michael Ball, Hadley Fraser, and John Owen-Jones, the performers present the play's musical numbers in a semi-theatrical style, fully costumed and with all the emotion of the musical's heyday.

France, 1815. Jean Valjean, a common thief, is released from prison after having lived a hell in life for 19 years, but a small mistake puts the law again on his trail. Ruthless Inspector Javert pursues him thorough years, driven by a twisted sense of justice, while Valjean reforms himself, thrives and dedicates his life to good deeds. In 1832, while the revolution ravages the streets of Paris, Valjean and Javert cross their paths for the last time.

Being a single mother is hard in early 19th Century France. When young Cosette was traveling with her mother trying to find a job and a place to live, they were always shunned away because very few employers hire single mothers. When she is promised with the prosperity of working in the big city, Cosette is separated from her mother in the hopes a caretaker will watch over her while her mother earns some money.

Set against the background of the French Revolution and based on Victor Hugo's classic novel this is the story of Jean Valjean who is sent to prison for stealing a loaf of bread and is released after nineteen years. He meets and cares for a beautiful but poverty-stricken young girl named Fantine who has daughter Cosette. After Fantine's death Valjean brings Cosette up but he is haunted by Javert - a policeman whose search for Valjean has become an obsession.

Les Misérables is a French anime series based on Victor Hugo's novel, original broadcast 1992 in French, then dubbed into Arabic Bussa Studios Trans Al Sharq TV Production

Three zany puppets bring to life our greatest opera treasures, as Joan Sutherland, the world’s most famous soprano, performs their highlights. The puppets make up the audience: Sir William, a wise old goat; Little Billy, his nephew; and Rudi, a rather boisterous lion. Sutherland first introduces them to the story of each opera. Then, backed by the London Symphony Orchestra and a first-rate cast, she moves onto the opera stage, complete with elaborate sets and elegant costumes. After each exquisite aria, the diva comes back to her inquisitive friends and unfolds the plot.

The television series, based on Victor Hugo's 1862 novel of the same name, is one of the most impressive television adaptations of a literary work. Filmed in 1963 over a period of four months at the RAI headquarters in Via Teulada, it is set in France between 1815 and 1833.

An ex-convict who wants to make an honest life for himself is pursued by the implacable hatred of a policeman.

A three-episode series, based on the novel of the same title by Victor Hugo, telling of the adventures of two children, a blind girl and a badly scared boy, who are rescued and looked after by a vagabond.

Based on the play by Victor Hugo, portraying the rise, fall and execution of Fabiano Fabiani, a fictional favourite of Mary I of England.