Kasparas Varanavičius

Nikita loves to listen to techno music and dreams to go to Berlin and visit the famous club “Berghain”. His mother Irena doesn’t know about his son’s dreams and soon enough their mutual expectations will clash.

Lonely Lithuanian teenager Rokas, whose mother works abroad, is trying to rise above his depressing post-socialist housing block by singing in a choir. His only refuge – his voice – quickly turns into a threat, as local gangs hunt him for being branded a snitch.

Dreaming of an escape from the bleakness of their hometown, two teens form a unique bond at a local modeling school, where the promise of a better life pushes girls to violate their bodies in increasingly extreme ways.

A school teacher learns that her son will fail the state exams. She must choose whether to engage or leave with a clear conscience.

How would you feel if you knew your exact date of death? A time comes when every person in the world can find it out. Beloglazovai family – Kolia, Lena, their daughter Sonia and teenage son Igor live in an old house in Vilnius. Today is the day when fourteen year old Igor must die.

An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?

With gentle irony, “Cinephilia” unmasks the illusion of film. Characters migrate through the worlds of reality and fantasy, in circumstances that paradoxically have no questions or answers. The two moons of Lars von Trier shine in the night sky, entrancing the main heroes, Roland and Isabel. Roland rents himself a room where he winds up in situations reminiscent of the plots found in Franz Kafka’s “The Trial” or Roman Polański’s “The Tenant”. A guy visits Roland, claiming that they known each other, and offers him a lot of money to film his suicide. There begins a kaleidoscopic sequence of events and random acquaintances. They make the characters wander through the worlds of reality and fantasy, sometimes both at the same time. A dark comedy that tells nine related stories in which the fates of the characters intertwine.

Ieva and Kasparas, sister and brother, are locked out of their home. Their mother has shut the door from the inside and is out of reach. The older sister Dovilė is their last hope, but even with her being there, there’s nothing they can do, but wait.