Joachim von Vietinghoff

A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.

Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.

The subject of this historical drama is a splintering Berlin in the years of 1948 and 1949. Played against the backdrop of social upheaval, the characters in the drama come to epitomize the best and worst of each pole of the political sphere. A 17-year-old hoodlum by the name of Gladow works hand-in-glove with a local white-collar criminal to rob and pillage every day and night, defying capture. While he and his gang of thugs are terrorizing the people of Berlin, the Soviets are trying to make the blockade of their region of control impermeable. The future casts long shadows over the drama, as Berlin's problems take the shape of times to come.

A switchman at a seaside railway witnesses a murder but does not report it after he finds a suitcase full of money at the scene of the crime.

Ruby Dennis is an middle-aged man with an unfulfilled ambition as a singer. As he begins to pursue that ambition, his family falls apart.

Matthieu Carriere, who once starred in German director Volkor Schlondorff's breakthrough film Young Torless, turns director himself for Fool's Mate. Michael Marwitz plays a once-famous concert pianist and chess whiz. He compromises his talents by casting his lot with a group of self-destructive druggies and gamblers. Marwitz' new circle of friends effectively ruins his marriage to Victoria Tennant, an English architect. Fool's Mate makes no effort to cheer up its audience, but this sort of fare apparently is what the European film-festival circuit thrives on.

Extensive dialogue and the tight focus of a single apartment setting marks this romantic and politically symbolic drama about Malgorzata, a Polish photographer (Krystyna Janda) and her married French lover Paul (Sami Frey). The two rendezvous in West Berlin to spend some time together before Malgorzata has to go back to Warsaw and Paul returns to his wife and daughter.

American professor Robert Traum embarks on an adventurous and amusing journey through Bucovina to find Sami the projectionist, the only person alive that can tell him anything about his Romanian Jewish descent. His symbolic journey is filled with danger, the unknown and the surreal, but finally rewarded with a double love: on the one hand he finds romantic love, on the other the passion for old cinema, nomad, popular, naive and generous.

Edward Kaminsky, an aging ad man, wants a golden parachute from his agency; he must first land the Opel auto contract. Rosa, a youth with wealthy parents, wants to establish herself as an artist. The clumsy and enthusiastic Viktor, not quite honest, wants work. When he wanders into Kaminsky's meeting with Opel and says something about irony, the Opel director wants him in on the campaign. Then he steals an idea from Rosa that the Opel director loves. Before Rosa discovers he's expropriated her idea, Rosa and Viktor become lovers. Father-son feelings materialize between Kaminsky and Viktor. Can the impulsive Viktor hold it together before Rosa learns the truth and flies away?

Director Annekatrin Hendel delivers a portrait of three generations of Brasches as a microcosm of societal tensions being carried out on a large scale — between East and West, art and politics, communism and religion, love and betrayal, utopia and self-destruction.

An American filmmaker travels to modern day Berlin to make a film based on a real-life incident from 1942 in which 13 Jewish prisoners from a concentration camp were promised freedom if they appeared in a German propaganda film. Unfortunately, the Germans lied. The psychological process undergone by the modern filmmaker while shooting the story provides the basis of this arty and challenging film.

Movie-making cliches are parodied in this German comedy which features to warring actresses, meddling producers, indulgent directors, and an ignored writer. Not only must they contend with each other, they must also deal with the bankers who have the power to shut them down at any moment. The story begins at the premier of director Viktor Rote's newest film "The Tin Cat," which stars his popular wife Riki Rote. The film's writer and Viktor's brother Richard is miffed when he is not allowed into the screening. Viktor's ambitious mistress and aspiring star the Nina is also not invited in. The film is a hit so Rote is allowed to begin his new film by producer George Kuballa. George is also head of the studio. His rich and frequently rejected wife is Lore, a major financial studio backer who prefers spending her time consorting with her handsome young chauffeur.

A fictional, non-chronological account of the life of the scientist, adventurer and industrialist Lukas Berlinger. The key dates and central events include Berlinger's birth in 1914, his friendship with Johannes Roeder, who was the same age, his marriage to Marlit in the early 1930s and Roeder's joining the NSDAP in 1936. As a chemist and "scientist important to the war effort", Berlinger was not required to go to the front during the Second World War, but it was slowly discovered that he was helping persecuted people to escape to Switzerland. Pressure from the Gestapo cost Marlit her life, and Berlinger fled to South America. It was not until 1968 that he returned to the western part of Germany. He meets Roeder again, who is now a senator and has become rich as a "building tycoon", and meets Maria, a teacher almost 30 years his junior, who looks strikingly similar to Marlit.

A Red Army major caught between East and West Berlin finds his wife gone and somebody else moved into his apartment.

ECHTZEIT by Hellmuth Costard and Jürgen Ebert is a film like thoughts. About reality and the digitalized world. A film about Ruth and Georg, who may no longer exist. A film about "imaginary cameras", synthetic landscapes, about (flight) simulators and Pershing II.

Although members of the Hitler Youth chant anti-Semitic paroles in front of his house during the Purim festival, Rabbi Singer is still profoundly convinced that Germany will stay a safe country for him, his family, and his fellow believers. But several years later, his son David is banned from going to school because he is a Jew. Shortly after, Rabbi Singer and his wife are deported. Now, young David also fears for his life. In constant fear of being detected, he tries to find a way to leave Germany.

A medical doctor who is regarded as a specialist in retort research has been found dead. Science journalist Vera Pukall investigates the alleged suicide and uncovers the ruthless activities of a large pharmaceutical company. She receives help from Dr. Svoboda, of all people, the group's main stockholder.

A once-famous blues singer whose career has taken a downturn tries to get back on top.

In the late 1970s the German secret service fights against RAF terrorism and searches for constitutional enemies in the public service. Teacher Brasch implicates secret service agent Körner and the government in the suicide of a young teen. As a result Brasch and the exposed Körner are fired.

Set in the greek island Milos, this action comedy follows a group of people searching for the actual Venus de Milo

The story follows two simple as well as incorrigible petty crooks, who always fail spectacularly in search of the big coup.

Three young men kill two policemen after a chaotic bank raid; a problem which forces the trio to make a desperate escape across the border to Poland.

In Nicaragua, 1977, corruption and abuse of power are everyday occurrences under the Somoza family’s dictatorship. Eruptions of violence lead to a civil war, which the Sandinista revolutionaries win – at least for the time being. Against this backdrop, the conflict between a young soldier of the Somoza regime and his family, who sympathize with the insurgents, is illustrated.

The three daughters of the Dessau merchant Sellmann move with their father to Prague in 1936, where he accepted a position as director of the Böhmische Landesbank. For the three different women begins a new life, which accompanies the film over a period of ten years.