Yael Barnatán

Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.

Just Santos, cabaret actor with a talent for imitation, receives the offer of a role in a movie that could change his life and his family.

The relationship that botanist Angel establishes in his mind between plants, their stems, petals and pistils and the legs and feet of women, is the common thread of a plot that mixes sexual passion, love, greed and picaresque through a study of characters and situations.

Spain, 1974. A teenager and his father are traveling in a car that is the only property they have. Their life is a continuous move by desolate coastal apartments in the tourism low season. When forced to change route and get away from sea, their lives will change dramatically.

In Buenos Aires, a few days before traveling to Spain with his beloved wife Liliana Rovira to visit their son Pedro, the leftist Literature professor Fernando Robles is compulsory retired in the University, and he concludes that it is impossible to live with his pension. The crisis in Argentina does not allow Fernando to get a new job, and his wife decides to sell her family's apartment and move to a small farm near Villa Dolores to reduce their expenses. Fernando comes up with the idea to grow lavender and sell the oil to the perfume industry.

An Argentinean family living in Spain has their lives rocked when a famous author from their home country claims that their daughter is actually his granddaughter who was lost during a war.