Héctor Raggio

A recurring nightmare immerses the filmmaker into a visual research in the first person. Beginning with the 1955 bombing of Buenos Aires, the film elaborates a disturbing essay about violence. Combining a variety of different materials the director follows a line of thought that starts with his grandparents at World Wars I and II, and passes through Vietnam and the atomic weapons, reflecting about the kind of world we make for ourselves and for coming generations.

Garrón's friends try to help him win back his wife by recovering something from the very beginning of their relationship.

Melkor is a rebellious demon who choses Buenos Aires to turn it into his personal hell by unleashing a demonic invasion. Zombies and demons walk the earth. All is chaos, fire, and death. The only one capable of stopping the hordes of the underworld is Cazador, but he only seems interested in drinking, eating, and fucking. To spark his interest the key will be Bussi the bear, his favorite plush toy. Based on the 90s comic.