Rosalie Varda

A fairy godmother helps a princess disguise herself so she won't have to marry her father.

This simple romantic tragedy begins in 1957. Guy Foucher, a 20-year-old French auto mechanic, has fallen in love with 17-year-old Geneviève Emery, an employee in her widowed mother's chic but financially embattled umbrella shop. On the evening before Guy is to leave for a two-year tour of combat in Algeria, he and Geneviève make love. She becomes pregnant and must choose between waiting for Guy's return or accepting an offer of marriage from a wealthy diamond merchant.

Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

A girl, whose father is from Greece, studies ancient art in France. The film was made for television but never broadcast for political reasons related to its portrayal of Greeks. A work print was screened in Belgium in 1971, and the film is now available in reconstructed form.

The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker - despite the contrast they remain friends and share in the various dramas of each others' lives, in the process affirming their different female identities.

Yves Montand, playing himself, returns to his hometown of Marseilles to appear in an autobiographical musical. Once there, he searches for the barmaid he once loved and also encounters young hopeful Marion, giving her the chance of a lifetime.

A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.

Set against the backdrop of an increasingly violent strike, a worker falls in love with the middle-class daughter of his landlady.

A writer in her fifties spends the summer in her Saint-Tropez home, tending to her garden and animals while reflecting on her past. As nature thrives around her, a handsome young man and a restless woman draw near, bringing the uncertainties of desire and romance. Adapted from Colette's quasi-autobiographical novel.

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.

A crime story set in Paris about a Bonnie-and-Clyde couple -- how they got together and how they are pursued for a murder they never committed.

French visual artist-director JR situates his latest social-art intervention in a Southern Californian supermax prison, where he has imagined an enormously ambitious collaboration with the facility’s inmates.

Holding her 16mm camera, an optical prosthesis for a 20th-century stroller, Agnès Varda filmed 42nd Street in NYC in 1967, filming crowds of passers-by to the beat of the Doors. Recovered from the French director's boxes, with images of Varda, Pasolini and New York. Pasolini is shown walking in the Big Apple (where he went to present 'Hawks and Sparrows').

While shooting a film, the director becomes interested in the unfolding struggle of a young factory worker that has been laid off by a boss who did not like her union activities.

An adventure of three characters: Clarisse, a psychic’s apprentice, Lazare, who works at the Parisian catacombs, and the bronze statue of a lion at the Denfert-Rochereau (in the 14th arrondissement). Clarisse and Laraze meet daily, but one day Lazare disappears and the lion disappears as well!

Max, who dreams of adventures, abandons his studies at 18 to become involved in the navy. He becomes the sailor 512.

Rock star Orpheus writes love songs for Eurydice, who designs his album covers. Torn between her and his sound engineer, Calaïs, he discovers Eurydice has died of an overdose. Desperate, he descends into the Underworld to bargain with Hades.

Agnès Varda travels around the world to meet friends, artists and filmmakers for an expansive view of the global contemporary art scene.

“Miss Jasmine! I have a package for you!” The 14-year-old girl with braces takes a break from milking the goat. Her local postman has delivered a surprise. She opens it up. Out floats a magical magenta ball dress ten times her teenage size. “I am curious,” she says, and enters the folds of the dress. From here, Jasmine⎯headstrong, a dreamer, a realist⎯takes us on a modern anti-fairy tale through caves and stalagmites, streets and shop windows, obsessions and everyday empowerment.

A real estate agent from Paris arrives in Los Angeles to settle his late mother's estate, but a found photograph sends him on an impromptu journey to Mexico to find a woman named Lola.

Michel Legrand, Agnès Varda, and Anouk Aimee share the story behind the song they created for Jacques Demy's first feature film, LOLA, “C’est moi, c’est Lola".