Kristina van Eyck

Acting

Kristina van Eyck

Born October 30, 1954 (age 71)

No biography available.

Known For

InteriorInterior · 2025
Interior
2025
MovieDramaThriller
Kasimir uses a hollow couch to infiltrate houses. Once inside, he secretly films the owners’ lives. A few days later the couch is picked up again, with Kasimir inside: “Delivery Error“. He delivers the tapes to the brain surgeon Dr. Liebermann, who is trying to learn how to feel human emotions. While Kasimir provides him with more footage of further break-ins to prove his love, the doctor, unimpressed, prepares an awake surgery in his cellar for a young musician. Broken by unre­quited love, Kasimir begins to deviate from Liebermann‘s dogma: never intervene in what happens in front of the camera. An unforgivable breach of trust for Liebermann and so he de­cides to determine Kasimir’s fate.
Lady PainmakerLady Painmaker · 2023
Lady Painmaker
2023
MovieComedy
Egon Schiele: Excess and PunishmentEgon Schiele: Excess and Punishment · 1980
Egon Schiele: Excess and Punishment
5.51980
MovieDramaRomance
In 1912, in Austria, the painter Egon Schiele is sent to jail accused of pornography with the nymphet Tatjana in his erotic paints. His mate, the model Vally, gets help from a famous lawyer to release him. Then he leaves Vally, marries with another woman and goes to the war.
Das Baby-KomplottDas Baby-Komplott · 2001
Das Baby-Komplott
4.32001
MovieThriller
Hairdresser Annette is pregnant. Before her husband can explain to her why this is upsetting him - he is unable to conceive - he is killed. No wonder Annette just can't connect with the little creature in her womb: the fetus, a potential genius with all the makings of a top athlete, has been implanted and she is only supposed to carry it to term. When "communication" finally takes place between mother and child, the doctor wants to perform an abortion: The genetic engineering plot has been blown; but now Annette fights like a lioness for her baby...
Objet a
NEW
Objet a · 2026
Objet a
2026
MovieDrama
Ingeborg and Adam are visionary hand surgeons bound by love, control, and irresistible fixations. She is compelled to steal objects; he longs to become one. When an accident brings the enigmatic Gaia into their lives, unexpected desires begin to take shape, unsettling the careful balance that has long defined their relationship.
The Woman with the Red HatThe Woman with the Red Hat · 1982
The Woman with the Red Hat
4.71982
MovieDrama
In 1923 a Japanese comes to Munich and immediately falls in love with a street artist with a red hat, without knowing her past is. She turns to the Japanese, for the first time she thinks she has found her really great love- exotic stranger attracts her. They say a lot, but they do not understand each other - but they can show their love. Nevertheless, the relationship is doomed to failure from the beginning. Disappointment, death and loss.
The ShipwreckerThe Shipwrecker · 1984
The Shipwrecker
6.41984
MovieDrama
Three actors portray scenes from the life of Sterling Hayden, with a particular focus on his appearance before the House Un-American Activities Committee. Inspired by Hayden’s memoir “Wanderer.”
Vaines recherchesVaines recherches · 1987
Vaines recherches
8.01987
MovieCrimeDrama
An anonymous phone call puts Commissioner Schneider's entire career and personal life in question. While his couple suffers from his impossible schedules, he finds himself running after a provocative murderer who announces his crimes over the phone. Very quickly, a doubt comes over him: could the culprit be closer to him than he thought?

Filmography

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LiebeskonzilLiebeskonzil · 1982
Liebeskonzil
9.01982
MovieDrama
Oskar Panizza’s The Council of Love (1895) is a blasphemous play set in 1495, during the first recorded outbreak of syphilis, which Panizza satirically presents as the punishment from Satan for sexually active humans. As a result, Panizza was imprisoned for obscenity. Schroeter alternates scenes from the Panizza’s work with a dramatization of his trial, presenting the play as an expressionist spectacle performed by actors wearing exaggerated makeup who gesture and grimace grotesquely. The film thus forms a bridge between Schroeter’s use of tableaux in his early experiments with the political urgency of his 1980s films. On the eve of the AIDS crisis, Schroeter is presciently worried about disease as an excuse for governmental repression and the oppression of sexuality. - Harvard Film Archive

Agrippina