Juan José Otegui

Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.

In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.

After being estranged for 15 years, flamboyant actress Becky del Paramo re-enters her daughter Rebeca's life when she comes to perform a concert. Rebeca, she finds, is now married to one of Becky's ex-lovers, Manuel. The mother and daughter begin making up for lost time, when suddenly, a murder occurs...

Middle-aged romance author Leo writes under a pseudonym, since she despises her own work. At home, her husband, who works overseas, is distant both physically and emotionally. As she reevaluates her life and writing, Leo is led to an unexpected relationship with Ángel, a sensitive newspaper editor.

Pedro Martín, a young and ambitious doctor, is studying the effect of cancerous cells on mice, but he has run out of mice in his laboratory, since they do not breed there, and he has no funds to purchase more of these expensive laboratory animals from the United States. Nevertheless, his assistant, Amador, informs him that he gave some of the mice to an old trapper, nicknamed “el Muecas”, who lives in precarious conditions in a shanty town outside Madrid, and that this poor man has successfully bred them with the help of the natural heat of his daughters. The incredulous scientist goes to the shanty town to obtain the mice. There, Pedro meets Muecas, Muecas's wife Ricarda and their two daughters Florita and Conchi. With the warmth of the women’s breasts, as the flirtatious Florita shows Pedro, the mice are able to reproduce.

A former Francoist becomes a democrat after the Spanish Transition

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.