Robert Fischer

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

Evil teenager assassins Rike & Tom want to kill and film the execution of the rock star Daniel Küblböck [or Lana Kaiser to be correct], who is spiritually supported by his dead grandfather Johnny, with the support of the mysterious Baltazar! Will our well-intentioned wizard succeed to survive this Christmas related mess and learn to forgive the others while beign kidnapped and almost executed, even if that means stickin' his finger in cakes, rollin' in tha snow like a cat or having psychedelic music dreams? (and singin' some bangers in the meanwhile!)

Short documentary about sequences removed from the film.

In his film "Far From Heaven", Todd Haynes refers very respectfully to Douglas Sirk's "All that Heaven Allows". Fassbinder was also strongly influenced by Sirk's work. Haynes now explains this double fascination.

In the heart of the mysterious Amazon region lives a people whose roots are deeply anchored in the layers of time: the Matsés people, also known as the Jaguar People. Award-winning film producer Roberto Fischer, anthropologist Andrey Matusovskiy and expedition leader Alexey Kolbov provide rare insights into the life of the Matsés in the largest rainforest on earth.

A fascinating and absorbing documentary about the making of Jerzy Skolimowski's cult favourite, DEEP END, which was shot in 1970 as a US-German co-production on location in London and Munich. The film's two stars, Jane Asher and John Moulder-Brown, 23 and 17 years of age at the time respectively, meet for the first time in 40 years and discuss their on-screen and off-screen relationship in candid detail, while director/writer Skolimowski chronicles the production history from the writing of the script to the film's acclaimed first showing at the Venice Film Festival. Director of photography Charly Steinberger revisits some of the original locations and explains how he managed to shoot almost the entire film with a hand-held camera. Also on board are production designer Anthony Pratt, editor Barrie Vince, and actor Christopher Sandford, each of whom contributes his own version of how DEEP END was part of the sixties' "swinging London"; and at the same time tilted it on its head.

Film scholar Janet Bergstrom discusses Sternberg's 1930 film starring Marlene Dietrich.

Actors Rüdiger Vogler, Hanns Zischler and Lisa Kreuzer reflect on their work in front of the Robby Müller’s camera for Wim Wender’s seminal road movie KINGS OF THE ROAD (Im Lauf der Zeit, 1976).