Weronika Mliczewska

Sang is one of 300.000 children left behind by American soldiers after the Vietnam War, born to Vietnamese woman. When he unexpectedly finds his father in the U.S., he wants to meet him, even though it comes at a price of leaving his beloved family. Cultural barriers and unspoken pain collide when the past catches up with the present.

The director of the film travels to India to find the woman she met six years before with whom she bonded spiritually. Equipped with only a rosary given by the woman and a picture, she searches but doesn’t know the woman’s name nor where she is from, this often leads to her being ridiculed by the locals.

A young female director travels solo to Tokyo, where she accidentally meets an extravagant character, 63-year-old Yamada-San, who dresses like a woman and who was never accepted by society. The two of them only communicate through the camera and arbitrary translations of strangers, who overcome the fear towards Yamada-San this way, and so begins a chain of changes.