Vinícius Amaral

A surrealist queer experience. Sweder, one day as he prepares to cut a fish, feels somehow touched by the commercial that is playing on TV about the consumption of animal flesh and violence, so he decides to adopt the fish and treat it like a son.

*Twink* is a sacrificial ephebe who insists on surviving as a symptom of cultural memory. Drawing on a queer reimagining of the myth of Eros and Psyche, the film maps the disguises through which twink iconography has infiltrated the history of the image.

After 23 years living with his mother, Francisco is moving. The last week of coexistence between him and Ana is marked by intimate conversations, small arguments, advice and everyday life.

Maria takes on the responsibility of caring for her elderly mother, Conceição. During dinner, Conceição refuses to eat, causing Maria to gradually lose her patience and leading to an argument between the two.

The shooting of “Rio e Luar” is about to begin. What the crew doesn't know is that Max, the film's director, is in a secret relationship with Hugo, his photography trainee. The situation becomes even more complicated when Hugo decides that it's time to tell the world how they feel about each other, even if it jeopardizes their careers in the prejudiced film industry of the 60's.