Elli Nalmpanti

After an accident, Nikos finds himself in a rehabilitation centre, confronted with a new reality. While the world around him keeps moving, he is called upon to redefine his relationship with his body, his boundaries and the course of his own life.

Three characters attempt to reproduce, comprehend and uncover details of their stories through senseless actions. Three external landscapes depict three internal thought processes. The experience is not a reflection of reality but a quirky distortion.

Shortly after she finds herself in the main departure hall of the airport, a young woman will remember the forgotten story of her childhood. "When we grow up, me and dad, we're going on a trip to Australia." The airport terminal as the closed space where we spend our last moments. A modern Acheron. It may be so...

The story concerns Menelaus, who, fifteen years after the brutal murder of his parents, decides to take revenge, breaking into the abuser's house and violating his sanctuary.

The family bond has led two people to a silent life.

When the taps of a remote town stop running, its inhabitants seek salvation in the repetition of an informal sacrifice.

Two powerful concepts, the concept of the church and the concept of justice, come up against each other during a macabre game . The eternal battle of the two aforementioned authorities, unfolds before the viewer’s eyes in this allegorical movie, while he becomes a witness of a lurid scenery of brute force.

In a deserted place, the pumps work hard to prevent the flood disaster. When a group of refuges comes to the village, locals are disrupted and things inevitably change.

Sali, a young man of Albanian origin, has dropped out of school and works at greenhouses. He wants to save enough money to go through the tryout process of Juventus Academy. But to realize his dream, he must first overcome a series of hurdles in his harsh daily life.

The Girl follows her simulation on paths between hills, until the sun leaves her. In this poetic monologue she realizes her weaknesses to get away from the cave of herself.

Hermetically sealed and sunk in non-chronological qualities of time, the experience of the wound is always relived torturously, quoting a series of dualities: immobility-movement, inactivity-activity, absence-presence, alienation-proximity, pain-pleasure. Seven long takes represent the wound as something that probably pre-exists and then takes place in an (anti-)erotic situation.

After their boss disappears, wanted for murder, the staff of a fading nightclub take part in a documentary that forces them to confront the events of that fateful night.