Massimo Martellotta

A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.

Captured by a ruthless gang of bank robbers, foes Diabolik and Ginko find themselves facing certain death. While Eva Kant and Altea forge an unlikely alliance to rescue their lovers, Diabolik reveals his mysterious past to the Inspector.

During the Covid-19 lockdown, a film crew is shooting an adaptation of Camus' La Peste. Reality and fiction start to blur between each other.

Through interviews with key figures and previously unseen period images, the story of the 1982 World Cup and the Italian national team, seen also from a private perspective, is contrasted with that of a country led by President Sandro Pertini.

Giancarlo, a young Neapolitan animated by a great passion for journalism, is called as a correspondent in Torre Annunziata for the newspaper IL MATTINO. He begins to investigate the underworld and despite the difficulties he doesn't give up. His intuitions take him so far that the clan leader Gionta considers him too uncomfortable a character. The film reconstructs the last days of the life of the Neapolitan journalist Giancarlo Siani, killed by the Camorra in September 1985. It does so with the participation that a friend like Fiume had of Siani and with the courage to face a narrative that is absolutely different from the one of the debut film "Isolde".

Livorno, summer 1984. Three sculpted heads emerge from the water. The art world hails them as authentic works by Modigliani. The only problem is: they are fakes. This is the incredible story of a hoax that spiraled out of control. The story of a fraud. The story of a death under circumstances that were never fully explained. One of the greatest art scandals of all time. One of the most intricate mysteries in the history of art—and, at the same time, a crystal-clear example of how a beautiful lie can always overpower, and be preferred to, any reality.