Kung Chi-yip

In a night woven with mushroom soup and hallucinations, two brothers met in the mountain for camping – and burying their late father's body.

Revolt is youth. The story centres around a teacher’s pet who strives his best only to become the eternal runner-up, and a pair of intelligent but diametrically different step-siblings. Set in 2012 during the transition to the new academic structure for senior secondary education and higher education, the young students reconsider and challenge the limits of sense and sensibility through seven exam questions. In their wet dreams, all rules go loose.

Kwan believes that she is unique. Enclosed in solitude within her own literary world and deprived of affections from her family, she longs for love in whatever form it takes - no matter how distorted. She considers the detention class with Mr Cheung a shelter from the world, until it is shattered together with all her hopes. She finally comes to the realisation that it is the world that goes against her. There is no hiding place for her no matter how hard she struggles……

Single-gender schools allow few chances for campus romance. Will inter-school activities provide the right opportunity? Ryan is both eager and afraid of mingling with the opposite sex after studying in an all-boys school for years. One day his friend Jayden makes him join a mixed choir formed with an all-girls school. There, he meets the enthusiastic singer Carol. Unexpectedly, Cupid’s arrow carries more than love itself. Ryan will also have to face life lessons such as a test of friendship and the unfairness of the school system. The film’s manga-like style and humourous scenes establish perfect comic timing. The innocence and ignorance of youth come alive while the ending suddenly turns into an anti-climax that reveals the bitterness of growing up amidst shattered ideals.

In the era of the coronavirus, Genius was left behind on the street by his girlfriend and his mother passed away soon. Genius worked in an antique shop. His boss asked him to get rid of a box of feng shui stuff as far away as possible. However, he barely could find a rubbish bin. When he found one, the rubbish bin was too full and he decided to just left it there. Unfortunately, an officer ask him to pick it back up. He went everywhere to seek a rubbish bin but never succeed.

Smoker, a prefect in a boarding school, maintains order with weed and terror. Within the confines of the school, we witness a twisted version of a coming of age story of unbridled violence in the name of law and order, culminating tragically to the death of the bullied Dickhead. As the incident escalates and things go astray, Smoker faces a moral dilemma: Should he clear himself of further corruption, or should he act as an accomplice of the authorities? Stylistically extravagant, the short uses the secondary school as a metaphor to underpin the absurdity and brutality in ‘the worst of times.’

People in a red-brick-walled compound are barricaded by a group of mysterious men who threaten those in the compound day and night, telling them not to escape and act as if everything is normal. The people inside muse on the drastic changes in their lives, as their limits are constantly being tested and pushed. Some risk their lives trying to escape, while others lose their will and dwell in the surreal realm between dream and reality.

Family pains and abdominal cramps—anyone can allow their body to endure the turbulent intrusion alone. After living in Norway for years, Ling brings her foreign boyfriend home to Hong Kong. The family reunion is seemingly harmonious yet unspoken rifts and resentment will be revealed through family therapy. Will it end in reconciliation or a split-up? Bobby YU Shuk-pui, winner of Best Director at the 17th Fresh Wave, brings her family’s story to the silver screen. With real-life family members appearing on screen, the film examines intergenerational conflict through the lens of the young. With scenes of conversational therapy shot like direct cinema and shifting between fiction and reality through switching aspect ratios, the film faithfully and naturally presents the emotional vortex among family members.

Where may one find bliss, in life or in death? Four disappointed young people meet each other at a rave party, finding bliss under the influence of drugs. After sharing a brief night of ecstasy, they are suddenly transported to another realm via a car accident. Stranded and waiting to be delivered, as the lost souls witness the void and pain they leave behind in the world of the living, each must reckon and reconcile their scarred former lives, every unrequited dream and relationship, before they can finally arrive at the real land of bliss.

After the early passing of mother, father and son grow apart as they mourn the loved one separately. When grandfather suffers a fall, the two devote their time to the care of grandfather. A glimpse of what the family used to be like resurfaces, and the once estranged relationship improves. Unfortunately, grandfather has another accident. As father is busy making ends meet, he has no choice but to send grandfather to a nursing home. Father and son are determined not to let this new challenge jeopardise their relationship again.

Hui-man has the body of a beast. As a former social worker, he still wishes to help others, especially his loved one Ning, a headstrong beauty who resists the world and who lives in the ruins after leaving her wealthy family. Both fight for survival and face their own needs and fears. Reunited despite obstacles, they only wish for a simple candlelight dinner without fanfare.

Freud once said dreams are disguised fulfilments of repressed wishes. Some recurring dreams may have awakened the unfulfilled desires buried deep inside one’s heart. Ceci has passed away at a young age. At night, when her soul wanders and encounters sleepers deep in their thoughts, she will enter their dreams and listen to their hearts. One night, she meets Kate, who is bothered by mundane matters. She finds Kate’s dreams familiar. As she recalls fragments of her memories, can past regrets between the two of them be fulfilled in dreams? The film connects the dimensions of dreams and reality with the girls’ delicate emotions and sings an elegy of lost youth.

In autumn 2019, at the peak of the anti-extradition law amendment bill movement, Yung and Yin meet on the streets. After the arrest of Yung, Yin finds herself in the awkward situation of visiting Yung’s home for the first time. Meeting the parents, Yin has to skip the usual polite chatter and put away Yung’s items before the court warrant arrives. In this austere and awkward first meeting, they talk about the absent son. The long night drags on as the shocked and worried parents are overwhelmed by the opposing political views, by relationships torn and healed, by their hopes and regrets. When dawn comes, what will become of Yung?