Daniel Mesguich

Following a fall during mistletoe picking, Druid Getafix decides that it is time to secure the future of the village. Accompanied by Asterix and Obelix, he undertakes to travel the Gallic world in search of a talented young druid to transmit the Secret of the Magic Potion.

Ambitious Emma Eckhert successfully makes her way into a world previously reserved for men: that of high finance. She quickly becomes popular with small savers, but leads a scandalous life that will cost her.

Young D'Artagnan seeks to join the legendary musketeer brigade and avenge his father's death - but he finds that the musketeers have been disbanded.

When her elderly father has a stroke, Emmanuelle rushes to his bedside. Sick and half-paralysed in his hospital bed, he asks Emmanuelle to help him end his life.

After reclaiming Kaamelott from Lancelot's tyrannical rule, Arthur spares his life, defying Celtic gods. Knights must prove themselves for Table Round seats while Arthur faces new threats as king.

Third and final film in the Kaamelott franchise.

His wife having recently died, Thomas Jefferson accepts the post of United States ambassador to pre-revolutionary France, though he finds it difficult to adjust to life in a country where the aristocracy subjugates an increasingly restless peasantry. In Paris, he becomes smitten with cultured artist Maria Cosway, but, when his daughter visits from Virginia accompanied by her attractive slave, Sally Hemings, Jefferson's attentions are diverted.

Now in his thirties, Antoine Doinel is a divorced proofreader in love with a record seller. Colette Tazzi, now a lawyer, buys his first published autobiography, leading them to a chance meeting.

Having both suffered extreme losses, two disparate souls try to form a relationship for consolation rather than romance.

Claire's handbag is stolen. It contained a letter written ten years previously by the man who is now the French President. In the letter, he urges his pregnant mistress to have an abortion. Claire immediately alerts the President's men. From that moment, the machinery of state swings into action.

Jean-Baptiste Poquelin is raised by his father and his grandfather because his mother dies when he's still very little. He works as a handyman, studies the law at a university and travels the country as an actor before he becomes the celebrated playwright Molière who impresses firstly the Duke of Orleans and then even King Louis XIV.

The setting is Les Fauvettes School for Girls just after WWI, where sternly Teutonic headmistress Ingrid Caven vies with Catherine Jourdan, a morphine addicted, fabric fetishist gym teacher, for the sexual favours of liquid eyed nymphet Scyluna. Meanwhile the chaplain conducts a nude exorcism.

A French diplomat is surveilled by a secret service to find a weakness for political control, his private life becoming 'File No. 51'.

Walter is told by his boss, Sara, to deliver an urgent letter to Henri de Corinthe. On the way he finds a beautiful woman he had been eying in a nightclub, lying in the road, bound up. He takes her to a villa to get a doctor, and ends up being locked in a bedroom with her. While she is making love to him, he has visions of surrealistic images from René Magritte's paintings. In the morning, the girl, Marie-Ange, has vanished, the villa looks derelict, and his neck is bleeding. Was it all just a nightmare?

The neglected daughter of an industrialist who made his fortune in explosives supplies during the war and of a mother who was mostly concerned with herself, Monique Lerbier is a pretty blonde with generous but strong ideas and a hard character. She has chosen to be an atheist since her adolescence and does not tolerate injustice and social hypocrisy. She was to be married to an engineer, Lucien Vigneret. It was an arranged marriage, the dowry having to allow Vigneret to enter the capital of his father's company, which needed it to finance its business. But two weeks before the wedding, Monique surprises the fiancé with a mistress.

When her husband's arrest leaves her penniless, a woman accepts an invitation to move in with a strange couple.

A woman is detained at La Conciergerie. She's 37 but her hair are already white. She's suffering from terrible haemorraghe. Her name is Marie-Antoinette of Lorraine, from Austria, and she's living her last four days.

Adolphe 'Dolfo' Rashevski travels to Israel with grandson Ric, but his brother, orthodox rabbi Samuel 'Shmouel, refuses to come attend their fellow Auschwitz survivor sister Rosa's funeral. Back in their home, the whole well-integrated family and their 'gojim' (non-Jewish and would-be) partners regularly wrestle with the meaning of Jewish blood, traditions and religion. For one it seems the way to gain a wife, for others the bomb under or the obstacle for a marriage. Yet love tends to conquer all but death.

Escorted by his valet Sganarelle, Dom Juan, a libertine gentleman, brave and hypocritical, seduces women, fights duels, denies his father's authority, and mocks Heaven. Carried away by his passion for women and gambling, he goes so far as to commit perjury. A classic revisited by Mesguich with a lot of visual effects: special effects, magic tricks, imposing sets. A playful staging for this tragi-comic play.

Iranian Iradj Azimi directed this French historical drama re-creating events depicted in the famous 1819 painting The Raft of the Medusa by Jean Louis Andre Theodore Gericault (1791-1824). The ill-fated voyage of the frigate Medusa begins when it departs Rochefort for Senegal in 1816. After striking a sandbar off the African coast, 150 civilians row safely to shore, but Captain Chaumareys (Jean Yanne) orders 140 soldiers and sailors onto a raft (minus supplies) and has it cut loose. Only 14 survive from the 140, creating a scandal back in France. Gericault (Laurent Terzieff) later talks to three of the survivors while researching his painting. Work on this film began in 1987, but sets destroyed by Hurricane Hugo caused delays, so the film was not completed until 1990. However, it then remained undistributed until an incident in which writer-director Azimi slashed his wrists in front of French Ministry of Culture officials.

Two couples, Eva and Edy and Martin and Charlotte are separated by a very different social condition. The first are rich bourgeois, the second are workers.

In Jean Rouch's cinematic reinterpretation of Julius-Amédée Laou's theatrical work, a freshly appointed nurse steps into the chaotic world of a psychiatric ward. Tasked with nurturing the minds within, she forms a profound connection with a patient from Martinique who has been confined within the institution's walls for half a century. As their relationship deepens, the lines between reality and delusion blur, weaving a complex narrative of human connection and psychological intrigue.

On 9 January 1836, Pierre Lacenaire goes to the guillotine, a murderer and a thief. He gives Allard, a police inspector, his life story, written while awaiting execution. He also asks Allard to care for Hermine, a lass to whom he has been guardian for more than ten years. In flashbacks, from the prison as Lacenaire writes, from Allard's study as he and Hermine read, and from other readers' memory after the book is published, we see Lacenaire's childhood as he stands up to bullies, including priests, his youthful thieving, his first murder, his brief army career, his seduction of a princess, and his affair with Avril, a young man who dies beside him.

In the 1930s a young fellow, Simon Chalumet, is sent to a military school by his overbearing father, an ex-soldier who has little sympathy for his son's more gentle temperament, or for his interest in films.

Astrid Nielsen works in the library of the judicial police. She has Asperger's syndrome. With an incredible memory, she excels at analyzing files of ongoing investigations. The district commander decides to use it to the fullest, entrusting her with very complex investigations which have remained unsolved to date.

1793. The Reign of Terror has descended upon Paris. Carts roll toward the guillotine. In the corridors of the Convention, an elegant woman requests an audience. Her face distraught, she introduces herself: Josephine de Beauharnais, wife of Citizen-General Beauharnais, accused of treason. She pleads to save him from prison—a prison she herself will experience a few days later. The beautiful Creole woman doesn't yet know that her destiny is about to take a brighter turn, for she will soon meet another General. His name: Bonaparte.

The year is 1898. Héloïse, 9 years old, comes from a family belonging to the anti-Dreyfus and anti-Semitic Parisian high bourgeoisie. In a spirit of revolt, she begins a love affair with Maxime, a young Jewish journalist. During a terrible quarrel with her father, the latter suffers a stroke and dies. To get her away from Maxime, her mother Mathilde and her cousin Olympe take Héloïse on a trip to the Orient. After Cairo and the Pyramids, they go up the Nile and cross the desert in a caravan.

The neglected daughter of an industrialist who made his fortune in explosives supplies during the war and of a mother who was mostly concerned with herself, Monique Lerbier is a pretty blonde with generous but strong ideas and a hard character. She has chosen to be an atheist since her adolescence and does not tolerate injustice and social hypocrisy. She was to be married to an engineer, Lucien Vigneret. It was an arranged marriage, the dowry having to allow Vigneret to enter the capital of his father's company, which needed it to finance its business. But two weeks before the wedding, Monique surprises the fiancé with a mistress.